Michèle Pétin

After writing for Cahiers du cinéma, young Godard decides making films is the best film criticism. He gets Beauregard to fund a low-budget feature, creating a treatment with Truffaut about a gangster couple.

Based on the true story of two chambermaids of 1930s France who murdered their employer and her daughter.

A disgruntled scientist is fired from his job; slipping into madness, he invents a machine which harnesses the airwaves and can shoot people through the TV screen.