Caroline Champetier

A meeting between two friends: the cinematographer Caroline Champetier shoots a documentary about cinematographer Bruno Nuytten, making a film about his gesture and the relation between film art and craftwork.

At 25, Berthe dreams of making a living from her painting, never to marry, and to always stay with her sister Edma. Her parents do not see things from the same angle. Then Berthe meets Edouard Manet, who takes an interest in this young artist apprentice whose face inspires him.

Somewhere between a diary and a filmed letter made while Caroline Champetier was shooting Benoît Jacquot's film L'Intouchable in India.

She worked all summer in a small restaurant on a Normandy beach. It's the end of the season, season of work, season of love ; he dumped her, in any case it looks like it. She has good reasons for talking to herself, all the more so since there's hardly anyone else around.

Marie lives with her daughter in a large Parisian apartment. She rents a room to a student: Adrien.

Evidence by Caroline Champetier, a director who skilfully illuminates the great filmmakers (Jacques Rivette’s La bande des quatre , Philippe Garrel’s J’entends plus la guitare , Jean-Luc Godard’s Soigne ta droite, and Leos Carax’s Holy Motors ), directs and highlights in a sequence shot, in sumptuous black and white, a pregnant woman in the prosaic ritual of bathing. This "ingenious photographer", according to Agnès Varda, films the obviousness of the body, of gestures and lingers on the little things to take hold of a whole, as in the false triviality of Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles by Chantal Akerman with whom she also collaborates in Toute une nuit.