Pascal Aubier

A little girl's witness to womanhood.

You're a provincial kid in Paris and suddenly you're the center of attention: Movie stars, famous directors and sexy women are doting on you because they all think you're the son of their long-dead legendary friend. You never knew your dad, but the facts of this famous guy's life suggest that he might have fathered you. Your mom tells you nothing. All the fuss makes you uncomfortable at first but soon you find it's rather fun to be the son of the famous Gascogne. And in the midst of it all you fall in love. It is, after all, springtime in Paris.

This film takes place in the year 2033, where society consists of obese women who visit an agency that provides interactive fantasies. The film focuses on one particular woman, Alice, and her fantasy.

Jesus tries to impress at the Last Supper with some miracles but his final parlor trick does not end the way he would like.

A man travels through time and space in search of the woman with the violoncello.

A woman feeling weak goes to see her doctor who asks her to undress.

A worker daydreams while in the bathroom

An office manager smokes a cigarette all the way to the filter without ashing

A man's bathroom routine triggers a miraculous vision in a nearby church.

Life flashes before a soldier's eyes in his moment of death

In her suburban house, Madame Vaussart brings together a group of solitaries every Wednesday. Everyone tries to forget their problems, their complexes, their sadness. Between Mr. Michel, very shy, Mrs. Lebris, a former actress, a former colonial soldier and a few others, a project was soon born. They arm themselves and organize a manhunt from which, voluntarily, no one will come out alive.

A factory siren sounds, workers punch in, the machinery starts... Aubier makes use of a series of successive pictures to portray the series of events that completes a cycle.

Begins with scenes of nature, in which one hears the sounds of birds and water. The final few minutes of the film focus in on a man laying down in the grass.

A woman bathes near a creak. She runs away when she becomes aware of the camera.

Alain Cluny is Balthazar, a bumbling middle-aged intellectual who spouts off from time to time about leftist causes, usually to his current girlfriend. Then Edwarda (Bernadette Lafont), who is active in the political underground, comes into his life. From that point on, he begins to act on his beliefs. Edwarda's underground political action group stages a little drama to test Balthazar's commitment and reliability, putting him through an interrogation by what appear to him to be French secret police. Having passed this test, he is given a real assignment. This film is a comedy with elements of satire, and it explores the humor to be found in left-wing pretentiousness of all kinds. - Rovi

A deserted soldier takes refuge among the peasants.

A writer goes through a prolonged ritual of preparation but is unable to put a word on paper.

A documentary about the Parisian night club “Bus Palladium”. This film was theatrically released as a complement for Godard's Masculin, féminin.