Jürgen Jürges

Inspired by the physicists who built the Soviet atomic bomb, the film DAU follows a brilliant Greek-born physicist from 1928 through four tumultuous decades in the USSR. Driven to uncover the laws of the universe, the idealistic Dau is drawn into state service to help create one of history’s deadliest weapons. Inside a secret research institute, life is governed by scientific ambition, power, surveillance and privilege. As his autonomy erodes, Dau seeks freedom beyond his marriage through a succession of affairs, gradually losing both himself and his capacity to love. At once an intimate portrait of a man in pursuit of happiness and freedom and a vast fresco of a society founded on violence and ideology, DAU traces the small compromises that shape a life and alter the course of history.

Natasha runs the canteen at a secret 1950s Soviet research institute. This is the beating heart of the DAU universe, everyone drops in here: the institute's employees, scientists and visiting foreign guests. Natasha's world is a small one, split between the demands of the canteen during the day and alcohol fuelled nights with her younger colleague Olga, during which the two confide their hopes of romance and for a different future. At a party one evening Natasha becomes close to a visiting French scientist Luc Bige and the two sleep together. The following day her life takes a dramatic turn when she is summoned to an interrogation by the KGB's General Vladimir Azhippo who questions the nature of her relationship with the foreign guest.

Once just a girl from the provinces, Nora is now married to a successful scientist and lives together with her family within the confines of a secret and privileged Moscow institute. Nora is visited by her mother for the first time since her wedding. Her mother closely observes the atmosphere within the couple's home, trying to work out whether her daughter is happy. During the course of their intimate conversations the complexity of their contradictory relationship is revealed.

Maxim and his comrades-in-arms are participating in top-secret experiments into the creation of a new man. The employees of the secret Institute are characterised by everything Maxim detests: alcoholism, depravity, weak will, loss of ideals, and lack of faith in the future. Vika, one of the waitresses in the Institute's cafeteria, falls in love with the young communist, though she is scared by his fascination with eugenics and his violent tendencies. Vika hopes that her passion and tenderness will soften Maxim, while the state security agents keep a watchful eye on their developing relationship.

Katya, a young librarian, believes in love, but her ideals are crushed by reality. After a string of disappointing affairs, Katya finally finds tenderness and understanding in the arms of her colleague, a journalist called Tanya. But then the First Department interferes: the state security services see this relationship as unacceptable for a Soviet woman.

Nikita Nekrasov is a scientist, a theoretical physicist who studies our world and other possible worlds. He refuses to make a choice between mathematics and physics, between one woman and another, as he ponders the existence of the multi-universe. At scientific conferences, attended by eminent foreign scientists and a rising younger generation of physicists alike, Nekrasov gets carried away debating the beauty of string theory. He attempts to explain to all of his women – Katya, the librarian, Zoya, the scientific secretary, Svetalana, the head of department – about the theory of his own polygamy, and the possibility of having enough feelings to satisfy everyone.

Within the top secret Institute of Physics Problems, the scientist Nikita Nekrasov is visited by his wife and small children. While away from his family the physicist has managed to fall in love with other women. In open conversations with his spouse – in the bedroom, the dining room, and while out walking – he attempts to convince her of the legitimacy of polygamous relationships, and to test the limits of her unconditional love.

It is 1953, Stalin has just died. It is a troubled and uncertain period for the whole of the Soviet Union, particularly for the state security services. In the Institute, a secret research facility, the scientists continue their theoretical and experimental work. Every night they strain their ears to listen for footsteps in the dark corridors: who have they come for this time? Who has reported on who? Having survived the fear and humiliation of an interrogation, the Head of the Theoretical Department, Andrei Losev, refuses to cooperate with the security services, only to face a new ordeal back in his own home.

«The Return of the Prodigal Son» is the first volume from the film (novel) of Anatoli Vassiliev’s «Empire» inside the Dau cycle. The story is about inner kinship, which is much closer than blood, about inevitable betrayal, about almost fatherly love and forgiveness. Cigarettes (papirossa), images from «Faust» and «Don Juan», walks in the Soviet Park of culture... And a terrible, narrow gap inside the brutal regime where you have to be skilled enough to survive... Yes! and they also play gorodki (skittles) with childish passion!

It is 1956. Dau is a distinguished Soviet scientist who meets up with the love of his youth – Maria, a Greek actress – during her three day visit to Moscow. They haven’t seen each other for 25 years. Dau is a successful and prosperous scientist, but feels excruciatingly dissatisfied with his family life. Through Maria he hopes to regain lost harmony and beauty, but reality intrudes when Nora, Dau’s wife, returns home.

An ongoing experiment, evolving from a biopic about Soviet physicist Lev Landau into a large scale project – part cinematic cycle, part behavioral experiment – involving hundreds of participants from around the world. Combining elements of film, theatre, science, psychology, architecture, visual arts and performance, it has created a complex and absorbing world that has to be lived as much as seen.

A secret Soviet Institute conducts scientific and occult experiments on animals and human beings to create the perfect person. The KGB general and his aides turn a blind eye to erotic adventures of the director of the Institute, scandalous debauches of prominent scientists and their cruel and insane research. One day, a radical ultra right-wing group arrives in the laboratory under the guise of test subjects. They get a task - to eradicate the decaying elements of the Institute’s community, and if needs be, destroy the fragile world of secret Soviet science.

11-year-old Michi lives in a children's home, every day fighting to win the respect of the other kids, till the day he finds his real dad, Tom - who happens to be a dwarf, even shorter than Michi is, the opposite of his idea of manliness and strength. When the kids find out, Michi's life becomes hell and he flees. With nowhere to go, he moves in with Tom, who is new to this fatherhood thing, while Michi tried to hide his embarrassment and shame from his fellow school kids. This forces Tom, who had coped well till now, to confront his handicap head on. As time passes, they discover they have more in common than other sons and fathers, until their relationship is again suddenly put to the hard test...

Young journalist Sebastian Zöllner is writing an article on artist Manuel Kaminski. Zöllner hopes that Kaminski dies soon, so that he can cash in on his article.

One year after Stine's husband died, she reclusive lives with her daughter Stephanie in a suburban villa which falls into disrepair. She encounters the charming craftsman Roger, who makes her an offer right on cue: He consents to carry out repairs as much as necessary, which have to be paid back, only when Stine has the ability to. Instead, he just wants to get a warm meal and an shower at times. Eventually one night. Stine accepts that deal despite she risks her daughter's relationship. Written by Anonymous

When 12-year-old Jonas’ mother leaves to “fight her demons”, he steps up as head of the household, becoming the unofficial guardian to his younger siblings. With food and money running out, the children retreat into a world of their own where, cloaked eerily in black-and-white, their home turns into one of bugs and mysticism – they make saucepan gardens, they take on insects as pets and spiderwebs encroach. Only the friendship of an odd young homeless man gives Jonas hope to survive in an adult’s world.

A true-story account of a German businessman who saved more than 200,000 Chinese during the Nanjing massacre in 1937-38.

Thirteen German directors present short films exploring the state of their country.

A look at the lives of 19th-century composers Clara and Robert Schumann.

Based on true events, a young man raised in a cruel and oppressive family environment, leaves Albania with the dream of becoming a rock star and living a better life. His reckless character and his youth passions lead him to commit a murder in Athens. Chased by everyone, even by his own self, he is imprisoned under the harshest conditions. With the help of a German doctor, he learns to feel sympathy for others and guilt for his crime. His deep remorse will lead him from darkness to light.

They want to get away from each other, but they clasp each other even more firmly. They seek to save appearances at all force. The more they laugh, the quieter it gets around them. The cracks in the family picture widen until an inescapable secret reveals itself.

Ravi and Masha are just children when they were sold into labour by their parents. When they meet, friendship blossoms between them but when the factory manager threatens to sell Masha, possibly into sex slavery, Ravi gives up his hard earned savings to buy her freedom. They agree on a way to find each other once Ravi has earned enough money to buy his freedom but a series of misunderstandings and fear tear them apart. Though they now have their freedom in life, they have to find their way in love.

Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.

Ozren is raised in Vienna by his mother Silvija, who works as a prostitute, and his aunt and uncle. The film shows the demimonde of Vienna in the early 1990ies and deals with Ozren's finding out that his mother is not a waitress (as he was initially told) and with the way he copes with it.

A middle-class family flees an unspecified disaster that has struck the city and takes refuge in their country home. They think this will allow them to escape the chaos, but they soon realize that getting away won’t be so easy.

Shot with striking immediacy by a subjective camera, “Angst isst Seele auf” assumes the point of view of a black actor in Germany dealing with racist abuse as he prepares to appear in a play based on Fassbinder’s film, about the taboo relationship between an older German woman and an Arab man. Sharing the same lead actress (Brigitte Mira), cinematographer (Jürgen Jürges), and editor (Thea Eymèsz) as in Rainer Werner Fassbinder’s 1974 Film “Angst essen Seele auf”, these twin works offer a searing indictment of prejudice within German society.

Two trouble-causing brothers, who in the second generation after World War II Germany live, are in the center of this German made for TV movie. The movie makes a subject out of their everyday lives and the helpless attempt for them to build a normal life.

Two young girls who live in a small town in Lower Austria dream of America, men and love. They live in Ternitz, they dream of Tennessee.

A series of events unfold like a chain reaction, all stemming from a minor event that brings the film's five characters together. Set in Paris, France, Anne is an actress whose boyfriend Georges photographs the war in Kosovo. Georges' brother, Jean, is looking for the entry code to Georges' apartment. These characters' lives interconnect with a Romanian immigrant and a deaf teacher.

Set against the backdrop of post-unification Germany, the film explores the breakdown of relations in a decaying social structure.

Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.

Mario, a young, handsome surveyor, arrives in a small Patagonian town to prepare the overland transport of a passenger ship. The inhabitants eagerly await the trek, some hoping it will establish a better link to the outside world, others just sensing an opportunity to make money. No only by falling in love with Gloria, who runs a garment store, is married to a wealthy hacienda owner, but also has an affair with the town's mayor, Mario gets entangled in a tight web of relations.

Sawdust Tales is a whimsical and timeless parable on survival in hard times and the force of a first love against all odds. In a timeless no-mans land scarred by social decay and imminent war, a circus troupe awaits the arrival of the mysterious Rupert who is to deliver them from danger into a better world. The old and wise tightrope master keeps a watchful, loving eye on his young apprentice who, to his concern, could be drafted into the army at any moment. To make matters worse, the boy falls in love with a mermaid...

A beautiful 14-year-old girl has just reached marriageable age in a village in Senegal. She has many suitors; however, she is in love a poor student who has returned to the village while the university is on strike. At birth, she had been promised in marriage to Diogoye, who went away to work in France. Diogoye, who supplied her parents with many things over the years, has now sent a dowry, and asked that she be married to him in the village in his absence; she would then be sent to France.

A rare gem of cinematic storytelling that weaves docudrama, fictional reenactment, and experimental photography into a powerful, reflective work on the early days of German cinema. The film tells the story of the Skladanowsky Brothers, the German-born duo responsible for inventing the "bioskop", an early version of the film projector.

The story tells of a love which after ten years is beginning to grow old, and of the attempt to turn the imminent end into a new beginning. After ten years of eventful relationship, man and woman have finally decided to say yes to each other in an abandoned railway station on the edge of town. It is the first evening in their new home. Everything is temporary, nothing is finished. The furniture has not yet been delivered, the heating is not functioning yet, the telephone is not connected, neither is the television. They are inescapably confronted with their own selves and with each other. And although, at least at the beginning, they fervently strive for love and harmony, the past catches up with them. When he, as always, seeks to withdraw by taking flight, he discovers that his key does not fit. He is at her mercy. Ruthlessly, they call each other to account.

A group of angels look longingly upon the life of humans. Berlin now is a very different place: unified in name but overrun with crime, corruption, and—in what turns out to be a key theme here—Americans.

TV-movie based on the trial of Memmingen gynecologist Dr. Horst Theissen, who was sentenced for illegal abortions.

Since the death of her husband, a yellow cheetah has been the companion of the attractive Miriam. When the animal falls ill, the woman seeks the help of veterinarian François. The married vet falls for Miriam's mysterious charm and cannot resist her mysterious attraction. Little by little, strange things begin to happen...

Against the backdrop of late 19th-century Berlin, Toyotaro Ota, a young Japanese uni student studying in Germany, meets and falls in love with 16-year-old local dancer Elise. Their unconventional affair and subsequent cohabitation stir up a massive scandal that threatens his reputation, eventually reaching the ears of officials in Japan.

The 30-years old Max is MD and engaged to the attractive Coco, who jealously keep watch over him. After he heard the lovely voice of an unknown misdialing woman, he starts a restless search ...

In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.

Bernd, an insurance broker trainee, flees his mundane life in Germany to set a new World record in hang gliding in Bolivia.

During the summer on their Grandfather’s land Johanna, Robert, Harald and Alex begin a secret journey up the river on a boat with a chicken in search of a new path to the North Sea of Germany. A classic German children’s adventure movie.

A dance group forms at Gleisdreieck station, Berlin. More and more people join in until the next train leaves the station.

A clean-cut synth artist in Germany hopes to turn his career around with the help of a washed-up, erratic, publicity-crazed American manager.

Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Consequently, she moves into his penthouse, large enough for both to offer their services separately.

A teen girl in 1970s Berlin becomes addicted to heroin. Everything in her life slowly begins to distort and disappear as she befriends a small crew of junkies and falls in love with a drug-abusing male prostitute.

Germany 1939. Hans and Lene marry the day before the war breaks out, and Hans is sent to the Eastern front. During a bombing raid their daughter Anna is born. The house is destroyed and Lene and Anna moves in with relatives in Berlin. Hans survives the war but he is not the same person as in 1939, and he and Lene find it difficult to live together again.

A juvenile offender is handed over to authorities at age 13 and placed in an institution in this somber social drama. Martin is a petty thief who enjoys stealing and looks up to his older brother. When he is informed that his brother has died, Martin runs away from the reform school. He passes through various institutions and is labeled as incorrigible because of his refusal to comply with the rules of society. A dedicated child psychologist tries to save Martin when he entertains thoughts of suicide.

Two men lose their jobs and have to start from scratch. They go their separate ways about it, but their paths sometimes cross.

Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.

Grete Minde, based on the novel by Theodor Fontane, tells the story of a girl trapped in the turbulent religious and social prejudices of 17th-century Sweden.

The story of two small-time crooks in the Frankfurt underworld who would like to make it big, but fail time and again.

After having her second child, a German housewife suffers from postpartum depression before inexplicably falling into a continually misdiagnosed mental state, befuddling her relatives.

A famous poet who hasn't written a word in two years unconsciously plagiarizes the work of Stefan George, while dealing with several mistresses, his dimwitted brother, and a murder investigation.

We follow 15-year-old Paule‘s hard life on his parents' farm. Under his controlling father – who is fighting to save the homestead – he and his brother are forced to work very hard. When his brother leaves, the shy and obedient Paule meets the city girl Elfi – and with her a reason to rebel against the despotic and coarse father.

Film by Kückelmann.

A young filmmaker becomes involved with a gangster in Berlin. Based on the Ulf Miehe novel Ich hab' noch einen Toten in Berlin.

When 17-year-old Effi Briest marries the elderly Baron von Instetten, she moves to a small, isolated Baltic town and a house that she fears is haunted. Starved for companionship, Effi begins a friendship with Major Crampas, a charismatic womanizer.

Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.

Eine Nacht in Venedig (A Night in Venice) is an operetta in three acts by Johann Strauss II. Its libretto was by F. Zell and Richard Genée based on Le Château Trompette by Eugène Cormon and Richard Genée. The farcical, romantic story involves several cases of mistaken identity. The piece premiered in 1883 in Berlin and then Vienna. It became one of Strauss's three most famous stage works and has been seen in New York, London and elsewhere, and has been adapted for film.

A German serial killer preys on boys and young men during the so-called years of crisis between the wars. Based on the true story of Fritz Haarmann, aka the Butcher of Hanover and the Vampire of Hanover.

Short film by Helmut Herbst.

A boy doesn't like snow. Until a fairy appears.