Wladimir Yordanoff

1981. Hubert Bonisseur de la Bath, aka OSS 117, is back. For this new mission – more delicate, more dangerous and more torrid than ever – he is forced to team up with a young new colleague, the promising OSS 1001.

Margot and Marguerite are 12-year-old girls who seem no different from any other youngsters with the usual family and peer problems. While they appear to have similar faces and body shapes, they wear different clothes and hairstyles, but the biggest difference between them is that one lives in 1942 and the other in 2020. When the girls crawled into a wooden chest they were magically sent into each other’s timeline, and because the girls look so similar their family and friends do not notice the swap.

In 1894, French Captain Alfred Dreyfus is wrongfully convicted of treason and sentenced to life imprisonment at the Devil’s Island penal colony.

When Antoine returns to the island of Noirmoutier, secrets kept in the past resurfaces and threatens to change his family’s present.

The bonds of a 30-year friendship are tested when Walter's 20-year-old daughter, Clemence, falls in love with his friend Paul.

After she has been dumped by her boyfriend, Pauline allows her sister to take her to a palace on the Italian Riviera. Instead of savouring the delights of a carefree existence, Pauline prefers to take on the role of an amateur sleuth, convinced that a crime has been committed in the environs. She ropes a handsome lifeguard into her investigation...

Paris, France. Fred and his colleagues, members of the BPM, the Police Child Protection Unit, dedicated to pursuing all sorts of offenses committed against the weakest, must endure the scrutiny of Melissa, a photographer commissioned to graphically document the daily routine of the team.

Investigates the corrupt judicial system under which Alain Mar'caux and his wife Edith were arrested on accusations of pedophilia horrific acts they never committed- and the years he spent fighting to get out of prison, clear his name and keep his family.

The Stievenart family decides to spend their vacation far away and puts an ad on the internet. The Mailon family responds by offering to exchange homes. But the Stievenart family has an environmentally friendly house, while the Mailons consume a lot of energy.

French comedy

Retired Englishman George Hall's hypochondria worsens and takes its toll on his family.

The life of a man who discovers he has won the lottery, but faces numerous challenges in trying to claim his prize. Through a series of comedic and heartwarming events, the film explores themes of luck, fate, and the true nature of happiness.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

Elsa Valentin is in the middle of a brutal divorce and custody battle when she is struck by the appearance of a pretty young girl named Lola (Héloïse Cunin). Her interest in the child grows to an obsession, and she finds any possible excuse to be near her. When Lola's mother, Claire, grows unnerved by all this, Elsa admits she believes Lola is her daughter.

After his mother has an accident, obese Julien (14) is taken in by his uncle's family in Switzerland. The family, who to all appearances are totally "normal", make Julien's nutrition and well-being their highest priority. But then Julien falls in love with Keiko, a young Japanese girl. In order to seduce her he pretends to be a Sumo-champion but soon finds himself in a quandary: he needs to lose weight for his new family, but he needs to gain weight if he is going to take part in the Sumo training and seduce Keiko. Bit by bit Julien's lies start to crumble and it becomes very apparent that the other protagonists' notion of normality is very relative.

Anne-Marie lives an easy life with Gilbert, a rich plastic surgeon: a beautiful house, a doggy, a cleaning lady, expensive furniture, the lot. Not so easy in fact when she thinks twice. She does not get on with her husband any longer. She gets on his nerves and he does not attract her any longer. She feels good only when she jogs on the beach and ... when she is the arms of her lover, Leo. One day, Gilbert gets killed in a car accident. Good news, since she will be able to live with Leo. The trouble is her well-meaning family settle at her villa with a view to supporting the "poor widow" morally. Anne-Marie just cannot admit she is not distressed at all, especially to her son Christophe. She is now even more of a prisoner than when Gilbert was alive...

Ange, the mayor of a distant mountain village in Corsica becoming depopulated has launched a drama workshop supposed to give new life to the region. To this end he is to sign a contract with a cabinet minister for whom the villagers are rehearsing a play. It is the very day of the coming of the minister that Ange chooses to pass away, which infuriates his cantankerous wife Lellè. The contract must be signed anyway but how to go about it, mainly with such a family as Ange's: Rinatu, the nationalist, traditionalist son; Sauveur, the former local policeman turned politician; Marcia, Rinatu's daughter, determined to perform the play at any cost; Ange's two wives, the official one: the bad-tempered Lellè, and the unofficial one, the Indian domestic worker of Indian origin? To say nothing of Pantaleone, the deputy mayor, whose wife has been one of Ange's (numerous) mistresses.

On an island, clones are secretly raised.

In 1988, after much cunning political maneuvering, Loïk Le Floch-Prigent and Alfred Sirven become the chief executives at Elf. They discover a company that runs on kickbacks: in exchange for the oil rights, Elf makes handsome but discreet payoffs to the leaders of African nations. With the tacit complicity of President Mitterrand, and with eventual political and personal interests in mind, the new management takes charge of the slush fund. Within months, Sirven, Le Floch-Prigent and his wife Fatima Belaïd fill their pockets with more than they could ever have imagined.

In 1988, supported by François Mitterrand, Loïk Le Floch-Prigent ran for the presidency of Elf. Alfred Sirven, through Christine Deviers-Joncour, introduced him to Roland Dumas. A year later, Le Floch-Prigent was appointed CEO of Elf Aquitaine. Sirven becomes Director of General Affairs at Elf...

Life is easy for 43-year-old Luis, a happy single guy, fulfilled in his job of star nose with a perfume creation company, cosseted by his mother and five sisters. It could have lasted for a whole life, but fed up with mollycoddling and helping him, his mother and sisters decide it's time he got married, and the sooner the better!

When Yves-Marie, 9, asks Jacqueline, who is her age: "Marry me", she replies with a pirouette: "The day you go to the stars, I give you my hand."

Aymé Pigrenet, a recently widowed farmer, is eager to find a new wife to help him run his farm. Desperate, he seeks the aid of a local matchmaker who suggest that he go to Romania to find a new wife. There he meets Elena.

The complicated life of a wannabe actress who meets an older writer in the midst of a crisis.

Paris doctor Catherine starts to think her husband, Bernard, is having an affair when she hears an unfamiliar woman's message on his voice mail. Hoping to learn more about his extramarital activities, Catherine heads to a strip club, where she hires call girl Nathalie to have a fling with Gerard. As the affair progresses, Nathalie gives Catherine regular status reports, and the relationship between the women evolves from business to personal.

When the friend who was visiting them suddenly dies, an unremarkable couple is forced to take in his young pregnant wife of Russian origin.

A troupe of actors rehearse a play. In the play-within-the-film, an ambitious son and his distant father fight for control of an armaments firm and are pushed to eventual destruction by dangerous outside forces and traitorous aides.

Directed by Rémi Waterhouse, Mille Millièmes is centered around an eccentric ensemble of apartment residents. Kindness is noticeably absent among their quarters, as demonstrated by a dating pair of neighbors whose request to have their apartments connected was flatly denied. To make matters worse, beggars gathering at a charity event are cruelly tormented by various tenants during the Christmas season. Last but not least is the Portuguese concierge whose services are in danger of being replaced by a more cost-effective alternative, and a widow whose recent loss earns her no sympathy from the rent-demanding landlords.

A strait-laced French student moves into an apartment in Barcelona with a cast of six other characters from all over Europe. Together, they speak the international language of love and friendship.

A young Hungarian dreams of playing for the French football team and will get the help of a couple of friends.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

On March 1, 1996, 15-year-old Shafeeq Murrel was killed on the street in South Philadelphia — innocently caught in the crossfire between rival pairs of crack dealers out for revenge. Shafeeq’s murder was one of 435 in Philadelphia that year, and it was soon shelved as a cold case. Then, detectives David Baker and Julie Hill took it on— two middle-aged white cops working a Black neighborhood in their battered Plymouth Gran Fury. Filmed like a taut police procedural, THE SHOOTING ON MOLE STREET chronicles the investigation, as Baker and Hill knock on doors, shake down dealers, and beg, threaten and cajole residents in an effort to get someone — anyone — to talk. Baker rejects any accusation of police racism in the unsolved murders of young Black men. Isn’t he out here trying to close the case? But racism is more complicated than intent.

An upper middle-class French family celebrates a birthday in a restaurant. In one evening and during one meal, family history, tensions, collective and separate grudges, delights, and memories both clash and coalesce.

Victor Meynard, a hit man who still lives with his mother, is becoming more reluctant to pull the trigger during assignments. He meets a young man, Antoine, whom he takes under his wing after being unable to kill him. Their lives change when he meets Renée, an art forger who has earned the wrath of powerful mob leaders. Unwilling to assassinate the new object of his affections, Victor must run and hide with two new friends in tow.

August 1917. Two pilots whose aircraft was shot down by the Germans hide in a castle. They meet Justin, the employee, who has just killed his master.

The tragic story of Vincent van Gogh broadened by focusing as well on his brother Theodore, who helped support Vincent. Based on the letters written between the two.

Postwar France was slow to recover from the after-effects of the World War Two. The economy was doing poorly, and many people were poor and homeless, sleeping under bridges, etc. The winter of 1953-54 proved particularly difficult for these people, as it was one of the coldest on record. Father Pierre (Lambert Wilson), a parish priest, on seeing the suffering of these people (and their frequent death from the cold), was moved to write the French government seeking help for them. When his letter, which was published in the newspapers, succeeded in rousing overwhelming popular support for helping the homeless, he was able to form a charitable group (still active today) titled "Les Chiffoniers d'Emmaus," or "The Ragpickers of Emmaus" to channel help to them. This biographical film tells the true story of Abbe Pierre's successful efforts in those years.

WW2: in an occupied France, a young Jewish girl wants to become a movie star.

Russia, 1870. A group of young anarchist revolutionaries set out to overthrow the Czarist regime through violence. Their attacks create a climate of psychosis and mutual distrust among the population, but in reality, both revolutionaries and repressors are being manipulated by a diabolical individual.

It was during one of his missions in Norway that Antoine learned of his wife's death. He leaves his experimental submarine and returns to Paris. Helene was found in the Seine and had taken barbiturates. Even though he had not been with Hélène for six years, he knew her well enough to believe that she was incapable of committing suicide. So who and why?

After a successful bank robbery, Micky hopes to take back his girlfriend Marie who has been taken from him. On the way to Paris he meets Leon, a neurotic dreamer whom he considers an idiot. Leon can hardly understand what Micky is up to but he follows him everywhere and soon falls in love with Marie.

Two policemen, Franck and Rupert, intervene in a Parisian heliport where drugs are exchanged for a large sum of money. They decide to keep the loot and find themselves fighting with the mafia.

Two women–a literature professor and a painter–start to rely upon their friendship as an alternative to their unhappy relationships with the men in their lives.

Danton and Robespierre were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies.