Paul Goldsmith

Soul Power is a 2008 documentary film about the Zaire 74 music festival in Kinshasa which accompanied the Rumble in the Jungle heavyweight boxing championship match between Muhammad Ali and George Foreman in October 1974. The film was made from archival footage; other footage shot at the time focusing on the fight was edited to form the film When We Were Kings.

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

When experienced advertising executive Graham Marshall loses out on a promotion to a young man, he goes down in a path of vengeance.

A dance drama work that, through movement and very little spoken text, details the interaction of several people residing at or visiting a motel or motor inn named Mountain View. The work spans a period of about 24 hours, following the individuals through late afternoon, an evening spent in the motel bar, and a picnic-style social gathering the next day. Some of the characters encountered are the family who runs the motel (a mother, her young adult son, and an older man, perhaps her father); a spunky, tomboyish girl; an interracial couple lodging at the motel; a young mother; a pair of newlyweds; a barfly; three people involved in a love triangle; and the punkish friends of the motel owner's son.

Set in the fast paced materialistic world of the late 1980's the film depicts a destructive love triangle. The young, ruthless characters play out a hard-edged drama of life, love and greed.

Based on a true story about a woman who is institutionalized as mentally retarded for 30 years while struggling to reach the outside world through her writing.

After a psychopath murders a man who was on his way to a job as a deputy sheriff in a small California town, he assumes the deputy's identity and arrives in town to start his new 'job'. What he doesn't know is that the recently appointed sheriff and his mistress are plotting to murder her evil husband—and blame it on the new deputy.

A bored suburban housewife embarks upon a series of affairs seemingly triggered by escapism and fantasy.

A documentary on the film director William Wyler (1902-1981), this feature was conceived by his daughter, Catherine, as a loving tribute. Utilizing a wealth of film clips, many in black and white, the movie features interviews with Bette Davis, Samantha Eggar, Greer Garson, Lillian Hellman, Audrey Hepburn, Charlton Heston, John Huston, Laurence Olivier, Gregory Peck, Ralph Richardson, Terence Stamp, Barbra Streisand, Billy Wilder, and the director himself, interviewed only a few days before he died in 1981.

Humanoid killer robots stalk a newspaperman, who has knowledge of their existence. One of the robots is made to look like his girl friend.

Two young lovers learn that a small group of child-like space aliens are marooned on Earth and are being held prisoner at a top secret military facility. The couple then decide to liberate the extraterrestrial castaways and help them make a rendezvous with a rescue ship sent from the alien home planet.

Lily Bart, a well-born, but penniless woman of the high society of New York City, who was raised and educated to become wife to a rich man. As an unmarried woman with gambling debts and an uncertain future, Lily is destroyed by the society who created her...

Concert film covering Neil Young's October 22 1978 concert performance at the Cow Palace with nearly 20 songs (including two versions of "Hey Hey, My My," his nod to the punk movement), acoustic and electric (with long-time companions Crazy Horse), dating back to his Buffalo Springfield days ("I Am a Child") and continuing through popular solo numbers like "Cinnamon Girl" and the extended "Like a Hurricane."

A day-in-the-life documentary with Garry Marshall. Marshall was an executive producer for ABC and was responsible for such hit shows as Laverne and Shirley, Happy Days, and Mork and Mindy. This tape features several behind the scenes segments from these shows' productions. Marshall is also interviewed about the nature of television production and comedy.

Filmed in the autumn of 1975 prior to and during Bob Dylan's Rolling Thunder Revue tour – featuring appearances and performances by Ronee Blakley, T-Bone Burnett, Jack Elliott, Allen Ginsberg, Arlo Guthrie, Ronnie Hawkins, Roger McGuinn, Joni Mitchell, Mick Ronson, Arlen Roth, Phil Ochs, Sam Shepard, and Harry Dean Stanton – the film incorporates three distinct film genres: concert footage, documentary interviews, and dramatic fictional vignettes reflective of Dylan's song lyrics and life.

He was the 16-year-old Guru Maharaj Ji and, as the Millennium approached, he promised to levitate the Huston Astrodome. It was the early Seventies and anything was possible so thousands flocked to his gathering. Follow him from his mansion in New York to the limousines in Houston, listen to his followers and watch the spectacle unfold just as TVTV did in this Alfred I. du Pont award wining documentary.

A homeless man and woman prepare for and enjoy a special Sunday dinner

Jeremy is learning cello at an arts school in New York. At school he spots Susan, who practices for a ballet audition, and he falls in love.

This experimental film, a self-described mix of reality and fiction shot in Greenwich Village and a Vermont commune, captures past and present moments from the life of Mel Howard, the film’s co-writer & co-narrator. Scenes chronicling Howard’s doomed romance with Scandinavian girl friend Turid Aarsted are interwoven with scenes detailing Howard’s relationship with his parents and with a former girl friend, as well as his failed attempts at moviemaking. One sequence depicts Aarsted leaving the thirty-seven-year-old Howard for the film’s cameraman, Paul Goldsmith, and includes a sex scene between the new lovers. In off-screen commentary, producer Kenneth E. Schwartz expresses concern about the film’s content. He reveals that he raised $50,000 for the project, complains to the viewer that the film was not supposed to be a “diary of freaky people.” Eventually he and Howard come to terms about the film’s direction and allow the film’s story to unfold unobstructed.

Lanford Wilson's prize-winning drama about life in a played-out coal town in the Midwest. Against the background of a murder trial, the people recall their lives.

Young New York City activists, led by street singer Freemont Zappata and his girl friend, Marian, hijack broadcasting equipment that enables them to interrupt network television. Delivering their own message on the air, the group promotes peace and ecological awareness while decrying war and consumerism. After one group member divulges their location to authorities, federal agents arrest Freemont, send him to trial and convict him. The group subsequently frees Freemont from a detention center, then continues their broadcasts, while Freemont rides his horse alone along a bridle path.

A mosaic biopic on Lorraine Hansberry, based on the stage play combining her unpublished writings, letters, and diaries.