James L. Stewart

In the sixties, Eddie and the Cruisers were the hottest band around. But the tragic death of its lead singer broke the band up...only Eddie is not dead. He works as a carpenter in Montreal, but his love of music forces him to create a new band which will have to struggle with its anonymity.

Molly, Val and Gina are graduating college, but on their final night, frustrations are aired. Molly is still looking for real love and Val is beginning to doubt if that is what she has found. Gina is too busy videotaping everything to really notice. When the final party at Pacifica College kicks off, things do not go exactly as planned.

When Nick and Jan move into their new apartment in San Francisco, the batty landlady upstairs tells them about a girl who used to live there in the 20's: a brash young party girl named Maxie, who died in a car crash the morning before her big audition for a Hollywood studio. The trouble is, Maxie, or rather her ghost, hasn't left the house. Worse, she can take over Jan's body. And the only way she's going to leave is if she gets that audition.

A television newswoman picks up the story of a 1960s rock band whose long-lost leader — Eddie Wilson — may still be alive, while searching for the missing tapes of the band's never-released album.

Shirley Muldowney is determined to be a top-fuel drag racer, although no woman has ever raced them before. Despite the high risks of this kind of racing and the burden it places on her family life, she perseveres in her dream.

A widowed field mouse must move her family -- including an ailing son -- to escape a farmer's plow. Aided by a crow and a pack of superintelligent, escaped lab rats, the brave mother struggles to transplant her home to firmer ground.