Patrick Tam Kar-Ming

A seven-part anthology film exploring the history of Hong Kong from the 1940s to present day.

After his mother flees the family home, a son turns to thieving in order to support his father, an abusive sort who is addicted to gambling.

The fallout resulting from a botched Triad gang smuggling job forces a young couple to separate - she becomes a kingpin’s unwilling moll and he travels to the Philippines to work as a contract killer. Six years later, the two are reunited in a chance encounter, but their rekindled emotions and people from their past lead them into extreme danger.

A young woman is forced to marry an older man who runs a roadhouse saloon. She is constantly being raped by her husband, a drunken loutish brute. She harbors a young man wanted by the police in a murder case, and soon the fugitive and the young wife have a torrid affair as she continues to hide him from the authorities.

Shy and timid Hung is asked by his jailbird brother to look after his mistress and his unsuspecting wife. Chaos and many hilarious situations arise when Hung is caught between the two women.

The beautiful Cherie Chung plays the title character, an exercise teacher who is wooed by a rich, older businessman and a young photographer. You watch Cherie as she bounces between these two, not really liking the businessman, while the photographer is more in love with her image as his model than as a true love.

Four carefree lovers in Hong Kong enjoy their youth while danger looms on the edges.

Set in San Francisco, Love Massacre follows college student Ivy as she tries to help her friend Joy recover from a breakup. Ivy soon becomes involved with Joy's married brother Chu Chung, who spirals into senseless violence as he breaks into Ivy's dormitory and goes on a delirious killing spree.

Swordsman Li Mak-Jan is on a quest to duel the powerful and reclusive Hua Qian Shu. But will a cursed sword and the intrigues of the martial world bring him fame or tragedy?

Three episodes (all in one story) of “13” TV Series directed by Patrick Tam in 1977

Miu Kam-fung, who plays the film’s titular character, addresses her identity as housewife and actress in Patrick Tam’s commentary on the dangers of rampant consumerism, seen as a defining moment for contemporary Hong Kong. In its studied references to Godard, Tam’s work buzzes with modern life—supermarkets, billboards, television—and juxtaposes these references with questions about marital infidelity, middle-class morality, and even political sentiment.

In the last episode of Patrick Tam’s anthology series “Seven Women” (1976), Lisa (Lisa Wang) suffers from "environmental depression" and those around her treat her like a lunatic. Joyce deploys a creative mix of dialogue and monologue to illustrate Lisa's complicated personality. She might act like any normal obedient daughter around her parents, yet other times she reveals her overly sensitive and suspicious mind as her moods run the gamut from poetic to violent. The villa where Lisa is sent to heal becomes a tumultuous battleground when a young doctor who has his own psychological hang-ups begins treating her and a conflict of egos is ignited.

The first episode of Patrick Tam’s anthology series “Seven Women” (1976)

The third episode of Patrick Tam’s anthology series “Seven Women” (1976), with three short stories combined.

The fourth episode of Patrick Tam’s anthology series “Seven Women” (1976), which adapted from Swedish play “Miss Julie”

The sixth episode of Patrick Tam’s anthology series “Seven Women” (1976), which adapted from Pat Flower’s “The Tape Recorder”

The first episode of the Hong Kong reclaimed “Social Worker” series (1976)

Four episodes combined. Dawn: the first cop goes to interrogate the parents of a babygirl who got burnt by an iron. These, eventually admit to be the one responsible but they state it was an accident. Going back on a bus, he reads a newspaper article reporting another case of violence against minors. Noon: the moustached cop cop collects the report of a mother regarding the presence of perverts in her building. A thirteen-year-old girl is spotted with a man in equivocal acts: when she is interrogated she shows no signs of anxiety. Dusk: in a nursing home a guest kills another old man with an axe. He is interrogated by the older cop who, once back home, talks with his wife and daughter while watching sadly TV. Night: the fourth cop is in a disco when he gets the call that a collegue’s wife was the victim of a hit and run. The following morning he goes back to the office.

"Breaking the constraints of traditional television storytelling, Tam and Chan give a surprisingly in-depth exploration into the modern female psyche, exposing their fears and their desires. In their later attempts in CID: Two Teddy Girls, the pair uses a seemingly typical cat-and-mouse chase story between a cop (Mark Cheung Lui) and two criminal "teddy girls" (Ban Ban and Marysia Lam) to portray the lives of Hong Kong's different social classes.

One of the first single-episode special dramas shot on film, this episode of Superstar Special stars Barbara Wong Chuen-yu as a lonely housewife who is introduced to the idea of a "temporary boyfriend. "Breaking the constraints of traditional television storytelling, Patrick Tam and Joyce Chan give a surprisingly in-depth exploration into the modern female psyche, exposing their fears and their desires.