Kathryn Hunter

In Metropia, a gigantic city in an alternate future as seen from 1939, private eye Raymond Gunn is drawn into a case involving aliens, murder, and a multimedia star named Venus Nova.

An arrogant but charismatic ladies' man finds his life of money, power and casual flings upended when he wakes up in a parallel world dominated by women.

Tracing the careers of these two cinema enthusiasts, this documentary reveals the secrets behind the work of Ethan and Joel Coen, screenwriters and directors who are interchangeable within the same two-headed entity. It features fascinating, previously unseen interviews with some of the most iconic actors from their filmography.

Hedda Gabler finds herself torn between the lingering ache of a past love and the quiet suffocation of her present life. Over the course of one charged night, long-repressed desires and hidden tensions erupt—pulling her and everyone around her into a spiral of manipulation, passion, and betrayal.

Presenting a behind-the-scenes account of a visionary at work. From Oscar-nominated Mike Figgis, Megadoc gives audiences an unfiltered and intimate look at the making of Francis Ford Coppola’s epic sci-fi drama Megalopolis.

When Polly receives a mysterious box, it comes with one rule: place inside something she needs, something she hates, and something she loves. If she doesn’t obey, it will consume everything—and everyone—she’s ever known.

In a futuristic New York known as New Rome, visionary architect Cesar Catilina dreams of building "Megalopolis," a utopian city that redefines society’s limits. Opposing him is the corrupt Mayor Franklyn Cicero, who clings to power and profit. Between them stands Julia, the mayor’s daughter, whose love for Cesar forces her to choose between loyalty, ambition, and the fate of humanity.

Everything goes to hell for newly-pregnant Belinda after her mother-in-law moves in. As the diabolical guest tries to get her claws on the child, Belinda must draw the line somewhere.

Brought back to life by an unorthodox scientist, a young woman runs off with a lawyer on a whirlwind adventure across the continents. Free from the prejudices of her times, she grows steadfast in her purpose to stand for equality and liberation.

In a not-so-distant future, couples can share pregnancy on a more equal footing via detachable artificial wombs. While botanist Alvy has doubts about this new way of birthing babies, his love for Rachel prompts him to take a leap of faith.

A young man, of Romani descent, returns to his hometown of Gloucester. He is met by local garage mechanic, Dunleavy. They embrace, smiling. But what past does the young man carry with him? What awaits him back amongst people he doesn't really understand and who don't understand him? And what lurks in the forest, watching, silent, old as the trees?

Based on Nobel Prize winning author Olga Tokarczuk’s novel of the same name, Drive Your Plow over the Bones of the Dead is a new work for theatre conceived and directed by Simon McBurney. Tokarczuk’s controversial, violent, genre defying novel – part thriller, part comedy, and part blistering poetic manifesto for the rights of animals and the environment – caused an uproar in its native Poland upon publication.

Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

In this partial adaptation of poet Karthika Naïr’s award-winning book Until the Lions: Echoes from the Mahabharata, an original reworking of the epic Mahabharata, Akram Khan uses kathak and contemporary dance to tell the tale of Amba, a princess abducted on her wedding day and stripped of her honour, who invokes the gods to seek revenge.

Timon has it all – money, influence, friends. Surely it can’t last? When the money runs out, Timon soon finds her influence and friends have also gone. Left alone, she flees Athens to take refuge in the woods, cursing the city she once loved.

With hindsight, we can see exactly how wrong the labels given to Samuel Beckett have been, since it has been said that his writing was sad, negative and desperate. Nowadays, it can be said that several of his pieces submerge us in the reality of human existence, but with an element of humor - and it is this humor that has saved us. Beckett rejects every theory, every core belief, looking for the truth. He observes people amid the darkness and takes them into what is vast and unknown about life, so they can discover their truth by taking a look at themselves and others. Like Beckett, we share their uncertainty, their search, their pain. This theatrical reflection by the masters of European theater, Peter Brook and Marie-Hélène Estienne, incorporates parts of Fragments, a piece premiered in 2008 and filmed in 2015 and which contains the short plays Rough For Theater I, Rockaby, Act Without Words II and Neither.

The Queen of Selvascura risks everything to be a mother; the King of Roccaforte falls in love with the voice of a mysterious girl; the King of Altomonte becomes obsessed with a flea and neglects his daughter.

A recording of Julie Taymor's New York stage production of William Shakespeare's comedy.

Truth becomes the source of creativity; actions are a result of being, not thinking. This film, INSIDE/OUTSIDE is based upon Monika’s processes over many years. Robert Golden has had the privilege of meeting and photographing some of Monika’s late work. Although her teaching is for performers, Robert has said that her gift of understanding humanity has been gifted in some small ways to him. Monika’s inspirational way of working, helps actors to find a unity between their inner psyche and its outer expression. The 46-minute film shows a precise description of her work. Monika explains it in detail along with thoughts about movement, performance and theatre. The insightful and entertaining book and film are relevant to actors, dancers, Laban yoga, Feldenkrais, Pilates and other sports and movement systems and to people working with children.

Kafka’s Monkey is based on ‘A Report to an Academy’, a story by Franz Kafka in which an ape, Red Peter, gives a lecture about his transformation from ape to human. This production was captured by Digital Theatre live at London’s Young Vic Theatre and was performed by Kathryn Hunter.

When a new professor's methods leave Hogwarts unprepared to fight the rising tide of evil, Harry teaches students how to defend against the dark arts.

Penny works at a supermarket and Phil is a gentle taxi-driver. Penny’s love for Phil has run dry and they lead joyless lives with their two children, Rachel, a cleaner, and Rory, who is unemployed and aggressive.

Simon is an outcast from his Jewish community because he claims that the devil talks to him and he has the ability to put curses on crops. When Dovid asks the 'Squire' to sell him some land so he can build a railway station, a ruthless businessman from the neighbouring gentile community uses Simon to find out who wants to buy the land so he can 'persuade' him otherwise

Two British best friends and in-laws Dawn and Jackie work together at a factory. When Dawn is diagnosed with a brain tumor Jackie shares $100,000 she's got from her secret lover with Dawn to fulfil her dream - a visit to Las Vegas. They buy two tickets and fly there...

The heroine is a mummy, possibly of an Egyptian princess or goddess, who in former times was executed for sacrilegous adultery and is now condemned to dusting this old house, which, like her and her mind, is falling apart .

A restaurant is fire-bombed, a TV journalist and a member of a local mafia are murdered, and a valuable statuette is stolen. Yevgeni Grushko is Head of the Mafia Investigations Division of the local police force, facing new challenges as the internicine gang rivalries escalate towards war on the streets.

In 17th-century Tuscany, a church play is performed for the benefit of young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.

Maria is a dancer who becomes pregnant, unexpectedly, and has to decide whether or not to keep the baby. When her live-in boyfriend, who is not the father, admits to cheating on her, she kicks him out. Still unable to decide what to do, she imagines a dialogue with the fetus.

England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.