Tomas Backström

A mother reports her student daughter Lisa missing, but detective Aslak Eira is getting too little information, and she is found in a lake. The more they investigate, the less they seem to understand. Then Lisa's best friend goes missing too.

IRL (In Real Life) is a film about the evils among teenagers in the world of social media. Elias will not escape his tormentors. They are everywhere, in school, on the subway and spew their hatred of him online. He flees into The Secret World, an online game with thousands of players where Elias accepts the Invincible Warrior S:]iles guise. In the game, he meets Sc4rlet, a talented and beautiful girl soldier. Together they conquer their violent digital world. Sc4rlet want to meet Elias IRL (In Real Life). Hesitantly he agrees to be seen but well at the meeting place, where a very ordinary girl standing, he dare not go forward. Elias realizes that he will never meet Sc4rlet and decides to take his life that night.

After reuniting with his mother in Ho Chi Minh City, a family tragedy causes Binh to flee from Viet Nam to America. Landing in New York, Binh begins a road trip to Texas, where his American father is said to live.

Fia is a wise and somewhat tough 8-year-old girl. Perhaps a cousin of Pippi Longstocking, only a little more vulnerable. Like Pippi, and all other children, she wants to be big and strong, with the power and opportunity to make the world the way she wants it to be. Fia has a difficult role as a kind of "mother" to her mother, a mother who is unable to cope with everyday life. But in the yard opposite lives the magician Bustric, and he becomes Fia's anchor in life. Bustric is a little grown up, but very much a child, and he saves Fia from being seen as a liar and a dreamer in the new class she has to start in.

Little Oddemann uses every means available to find Jesus, including his slingshot. The film takes us to Norway in the late '30s, where we meet a series of burlesque and humorous characters, whose antics convince Oddemann that growing up may be a bad idea. Yet Oddemann finds there are certain rewards to being grown-up, such as partying and chasing women, that merit closer examination.

Adapted from a novel by Norway's justice minister Anne Holt. Lesbian policewoman Hanne Wilhelmsen (Kjersti Elvik), who has a live-in lover, tools about Oslo on her Harley-Davidson. After a number of women vanish, police find blood but no bodies, and Wilhelmsen begins a search for the suspected serial killer.

Detectives Jonas and Erik are called to the midnight sun country of northern Norway to investigate a recent homicide, but their plan to arrest the killer goes awry, and Jonas mistakenly shoots Erik. The suspect escapes, and a frightened Jonas pins Erik's death on the fugitive. Jonas continues to pursue the killer as he seeks to protect himself; however, his mounting guilt and the omnipresent sun plague him with an insomnia that affects his sanity.

Set against the beautiful backdrop of northern Norway, this film tells the story of a telegraphist in a very small community at the turn of the century.