Nathalie Moliavko-Visotzky

Meghan agrees to visit her ex-boyfriend’s mother in palliative care, but minutes before she enters the hospital room he reveals to her that his mother doesn’t know they’ve broken up. Meghan doesn’t want to go through with the ruse, but he twists her arm. Will his mother see through them?

Set in the Faubourg à mélasse district of Montreal, Quebec, in the 1950s, the film centres on a conflict between the Roman Catholic Church and a young team of baseball players.

When her sister runs away from the Christian community where they've lived, Clara decides to set off to Montreal in search of her, and discovers the world, doubt, and price of freedom.

It’s perhaps too wintery to qualify as Edenic, but Sam and Cora have seemingly carved out a largely idyllic existence for themselves in a cabin in the hills of Gatineau. However, the tree-planter/taxidermist and server/poet find their routine disrupted when they’re visited by Nadia, one of Sam’s dearest friends.

The uneventful middle-class life of Lebanese sisters Houwayda and Joëlle spirals into turmoil after Houwayda announces that she is accompanying Pierre, her Québecker husband, on a sabbatical year in France.

Kyra's dreams of being a jeweler have been put on the back burner, as her demanding job at the Sawyer Country Club is her priority. When a vacant shop becomes available in town, Kyra sees an opportunity to put a plan into action, until she learns that there’s another renter interested in the space. Enter Aiden Sawyer, prodigal son, big-city business magnate and Kyra’s childhood nemesis, returning home to the country club his parents own.

Brother Marie-Victorin, founder of Montreal’s Botanical Garden, is bored with heaven and decides to return earth to help former agronomist turned beekeeper Albert save Quebec’s flora from a multinational that is poisoning the Earth with chemicals.

While away in Mexico, Karine and Estelle witness the preparation and rejoicing of the “Day of the Dead”. Inspired by the beauty of the ritual and the fine spiritual humor of their hosts, they will soon learn to see their sister’s recent tragic death in a more light-hearted manner.

Directed by Ariane Louis-Seize, this tribute film was created as a gift for Lorraine Pintal, director of Montreal’s Théâtre du Nouveau Monde. Featuring some of the most memorable characters and performers of Pintal’s career, the film’s succession of surreal scenes from different dramatic worlds introduces viewers to the exceptional woman of theatre, stage director, and friend whom they consider to be the “ghost light” of Quebec theatre.

This film tells the life story of Ziva Postec, emphasizing the period when she was editing Shoah from 350 hours of footage.

Talk show host Marc Morin is at a crossroads in his career and in his personal life. The ratings of his show are failing and he is losing touch with his family. In an effort to regain the love and respect of his audience, Marc’s agent decides to send him, against his will, on a humanitarian mission to Haiti. Nothing can prepare Marc for the journey on which he is about to embark.

An architect and his wife see their relationship challenged.

Antoine, 13, spends the summer vacation with his parents in a rented cottage on an island in the middle of the Saint-Lawrence River. His neighbour, 17-year-old Anna, is an enigmatic and lively young woman. Antoine begins to experience the first stirrings of love-which soon yield a troubling brew of anxiety, desire and obsession. He eventually comes across a terrible secret that will forever change his life.

Cathy, 6, is taken by a social worker to a foster home in the countryside, where she slowly gets used to the strict rules imposed by her foster mother Réjeanne. Fortunately, her foster father, Reynald, is kind and gentle with the girl and patiently helps her break through her shell. Kayla, 12, is sent to a group home where she gets to know Morgane, a rebellious teenager who’s planning to run away. At about the same time, Manu is released from the system on the day she turns 18, but she finds it difficult to adjust to her solitary existence outside of the system. All four meet up at a reception honoring a foster family with whom they’ve all previously lived.

Four Anglo-Canadians and a New Yorker find themselves in a two-week long total French immersion program in the fictional, remote town of St-Isidore-du-Coeur-de-Jésus, tucked away somewhere in Northern Quebec. The place is perfect for total immersion since, according to the most recent census, 99% of the population is comprised of pure laine Quebeckers for the most part unilingual French, fervently nationalist, and all, save one person, named Tremblay.

A young psychologically unstable young police woman named Kate Logan and a married Frenchman find themselves caught up in a dramatic twisted affair.

For twenty-two years, Leo Huff has been working as a secretary in the same office. Living with the same wife in the same suburban bungalow, with the same old furniture and is the same old daily routine, his life is a monotonous statement. Things take a sudden turn when Leo has to stand in for an engineer and give a presentation in a small rural community. There, Leo is swept away by Lou, a distressed young woman who takes him beyond the beaten track. This encounter spells a new beginning for Leo, a strange, chaotic journey filled with unexpected twists and turns.

Brazilian native Priscilla Paredes is intent on staying in Montreal, despite the expiration of her student visa. Out of desperation, she takes a job as an exotic dancer at the Elixir, a downtown strip club, where she meets Milagro, a headstrong Quebecoise and fellow dancer who, ironically, longs to move to Brazil. Priscilla is welcomed into Milagro's secret family life, and introduced to her young daughter Chloé; Milagro in turn teaches Priscilla how to fight for what she wants, for what she needs.

A young woman’s quest for revenge against the people who kidnapped and tortured her as a child leads her and her best friend, also a victim of child abuse, on a terrifying journey into a living hell of depravity.

An absurd dramatic comedy about Phoenix Jones, an overly dedicated travel agent who suffers from a burnout after the downsizing of the travel agency where he works.

A unique glimpse into the world of Phyllis Lambert, renowned Canadian architect, urban activist, patron and founder of the Canadian Centre for Architecture in Montreal.

After abandoning her four-year-old daughter in Lebanon to pursue a better life in Quebec, Sana cuts every link to her Lebanese ties and never looks back. That is until her daughter, now 21, shows up in Montreal for a visit. This film explores what it means to be free for a woman.

Three women who share a familial bond but little more come to know each other better in this beautifully-photographed drama. Marie-Madeleine (Sylvie Drapeau) is a photographer in her mid-30s who, for the first time, has come into contact with Mado (France Arbour), her biological mother, who put her up for adoption shortly after she was born. Marie-Madeleine is to take a long road trip for a magazine assignment, and she invites Mado along. Joining the two women is Marie-Madeleine's daughter (Isadora Galwey), who has yet to meet her German father. The three women share their thoughts and ideas as they travel through an idyllic setting to photograph birds. Les Fantomes des Trois Madeleine was shown at the 2000 Cannes Film Festival as part of the Directors Fortnight series.

A bold and eclectic cinematic style defines the work of filmmaker Michka Saäl and her friend, writer Nadine Ltaif as they journey from childhoods in the Middle East to their chosen home of Montréal. Saäl is Jewish, Ltaif is Arab. Together they overcome the divisive prejudices of their upbringing and embark on an engaging search for clarity, familiarity and historical significance among the immigrant communities of Montréal. Saäl uses super-8 home movies, old photographs, dramatizations and casual conversations to cross personal and political boundaries, giving voice to the varied ancestries of us all.