1920s Music Movies

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

Marquis Sévéro, a rich, lazy Parisian, wants to divorce his wife so that he can marry his own goddaughter Denise. But Denise herself loves André Berval, an engineer employed by the marquis. Filled with jealousy, the marquis sends André to the Antilles, to prospect some land he has just acquired. He promises André that he can marry Denise if he is successful in the tropics, but he then writes to Alvarez, his manager at the site, asking him to prevent André from ever returning to France. The brutal Alvarez forms an instant hatred for André when the engineer breaks up Alvarez's attempt to rape Papitou, a beautiful native girl. Papitou becomes devoted to André, and protects him against Alvarez's schemes. But she faces a crisis herself when she learns that André plans to marry Denise.

The clock strikes midnight, the bats fly from the belfry, a dog howls at the full moon, and two black cats fight in the cemetery: a perfect time for four skeletons to come out and dance a bit.

During the Florida land boom, the Marx Brothers run a hotel, auction off some land and thwart a jewel robbery.

The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.

Maud Goodin is the daughter of a millionaire, content with her present life, but she is an interesting conquest for those wants to get on the social ladder.

In Fox's contribution to the all-star revue cycle of early talkies, showboat singer Margie, hearing that the show is in arrears, goes to New York to gather all of the former stars to stage a minstrel show as a benefit.

An all-star revue featuring MGM contract players.

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

Fay Wray plays a beautiful showgirl who falls for a rich Park Avenue guy played by Phillips Holmes. William Powell is a producer in love with Miss Wray, but he won't use his influence to take any advantage... as usual, he's a perfect gentleman.

Capt. James Stewart pursues the bandit "The Kinkajou" over the Mexican border and falls in love with Rita, though he suspects that her brother is the bandit.

A black laborer turns preacher after accidentally killing a man.

Ted Howard, a vaudevillian left, stranded in a tank town. A local girl, Mary (Sally O'Neil), proposes to finance a new act with her savings and the team succeeds in a minor way until Ted is discovered by Broadway femme fatale Valeska (Carmel Myers). Not wishing to stand in her partner's way, Mary nobly resigns from the act and instead accepts a minor role in the show. She proves a sensation on opening night, however, and a jealous Valeska demands her ousted. But Ted, who is in love with Mary, reorganizes their old act and they begin a new life together as man and wife.

A young woman, who wants to be in the Follies, is making ends meet by working at a department store's sheet music department, where she sings the latest hits. She is accompanied on piano by her childhood boyfriend, who is in love with her, despite her single-minded interest in her career. When a vaudeville performer asks her to join him as his new partner, she sees it as an opportunity to make her dream come true. Upon arriving in New York City, our heroine finds out that her new partner is only interested in sleeping with her and makes this a condition of making her a star. Soon, however, she is discovered by a representative of Ziegfeld.

A family of down-and-out vaudevillians discover that they are the last of the Van Revels, heirs to a Southern plantation and a blood feud with the Carstairs family that began 60 years earlier over a game of croquet. After Eddie falls in love with the neighbors' daughter, a mountaineer branch of the Carstairs clan resumes the feud with the intent of annihilating the Van Revels.

Carmencita Garcia, a Spanish flamenco dancer, performs two dances.

Prince bon-vivant Levan Phantiashvili finds himself in a difficult financial situation. To make his life better he agrees to marry the merchant Adam Varakhidze’s daughter, Elo. The merchant is happy for this move opens the door in a high society for him until he finds out that Elo is not quite happy with his decision.

Joe Lane, radio entertainer and songwriter, learns that the manager of the studio, Arthur Phillips, has made improper advances to his wife, Katherine. Infuriated, Lane engages him in a fight, and the encounter results in Phillips' accidental death. Joe goes to prison for a few years, and when he is released he visits his son, Little Pal, at school and is begged by him to run away together.

A 1925 currently lost film.

Phil and Pete compete for Mary's love and also in a contest for best song written by a college student.

In this all-black cast short, legendary blues singer Bessie Smith finds her gambler lover Jimmy messin' with a pretty, younger woman; he leaves and she sings the blues, with chorus and dancers.

No overview available

A short, hand-tinted promotional film made by the D'Oyly Carte Opera company to show off the new wardrobe and set dressing for the 1926 production of The Mikado. About six scenes from The Mikado are shown, then designer Charles Rickets steps onto the stage with a final look at the costumes and the film ends. The players in the production are legendary Savoyards, well-known from recordings of the period, but this is the only time a movie camera caught them in their roles, though sadly minus the singing. About four nitrate prints of this film are known to exist; two of which are at the BFI in London.

British music hall entertainer Dick Henderson sings "I Love Her All the More" and trills out a resounding ode to his beloved in this early sound recording, stopping to aim some rather less romantic jibes at his wife before delivering a rousing encore.

With unpaid actors and staff, the stage show Phantom Sweetheart seems doomed. To complicate matters, the box office takings have been robbed and the leading lady refuses to appear. Can the show be saved?

For the ventriloquist Gabbo his wooden dummy Otto is the only means of expression. When he starts relying more and more on Otto, he starts going mad.

A story about wild youth is framed in this early musical from Poverty Row company Rayart that includes such songs as “I Want You to Know I Love You”, performed by Ellalee Ruby and Tommy Christian and his band; “Somebody’s Sweetheart — Not Mine,” “Gypsy Love,” and the title tune. Christian plays Tommy, who reluctantly agrees to lead his band at a dance in a speakeasy where Lulu (Lucy Ames) may catch the attention of a Broadway producer. The club, however, is raided by the police and Tommy not only loses girlfriend Betty (Ruby) but finds himself expelled from college. Taking his band to Broadway, Tommy lands a spot in a high-class revue and is soon joined by a repentant Betty. The youngsters sneak away to get married while Jack Clark performs a furious tap dance.

The demons of hell play music for Satan, whose delight turns to wrath when an insubordinate refuses to become food for Cerberus.

Short film shown as a complement to the film "Acabaram-se os Otários".

A naive young dancer in a Broadway show innocently gets involved in backstage bootlegging and murder.

At the conclusion of World War I, a French girl is romanced by an American doughboy even though she is promised to a French soldier who was sent to the front.

An odd and tightly directed tale of a singer/dancer at the Moulin Rouge, who meets her daughter's fiance, only to have him fall obsessively in love with her and she with him. Alienation, betrayal and near tragedy result.

Rough sea dog John Patrick Duke has a weakness for women and strong drink. Little does he know that he won a million dollars on Longchamp with the horses. Earlier, he caused a riot in a French hotel. He therefore thinks he is being pursued when officials try to inform him of that cash prize. In the end, John and his friend Axel are forced to take the money. This allows them to have a party with their French friends. The film is believed to be lost.

Two Marines are sent to South Sea island where they fight over a local island girl.

George and Gracie enter an elegant drawing room, looking everywhere for something. Turns out, they're looking for the audience, and when George spots the camera, they start in on their patter. Gracie wants to convince George that she's smart, not dizzy - it's an uphill struggle of which she's blissfully unaware. Midway through, they break into song: "Do You Believe Me?" It includes a little bit of hoofing as the chatting continues. They end on a story Gracie whispers into George's ear.

A vaudeville comic and a pretty young dancer aren't having much luck in their separate careers, so they decide to combine their acts. In order to save money on the road, they get married. Soon their act begins to catch on, and they find themselves booked onto Broadway. They also realize that they actually are in love with each other, but just when things are starting to look up, the comic starts to let success go to his head.

Broadway dancing star Adele Dorey who, overworked and exhausted, suddenly ups and leaves New York in favor of a country village. But when promoter Bobby Lewis (Egan) of the barnstorming Gay Girlies Burlesque Company arrives in town, he picks an incognito Adele among all the pretty village girls to star in his new show. On a lark, Adele introduces her maid Jane (Louise Fazenda) as her mother and accepts a contract. When Adele's identity is finally revealed, the slumming star apologizes for her deception by offering Bobby a Broadway job.

A mountie pursues a man wanted for murder.

Vivid tale of love in Tin Pan Alley.

Take your seat for an Armistice concert by military bands playing a medley of songs commonly sung during WWI.