1930s Chinese Movies

A foolish wealthy inheritor, whose household is dependent on his wife's competence, finds his estate threatened by a bully neighbor in this allegory of the difficulty of dealing with unchecked aggression and treachery, and of the tension between traditional Chinese customs and early 20th-century European influences. Originally about 100 minutes, only 41 minutes exist.

A Chinese film

Lady Windermere's Fan, Oscar Wilde's play on moral values, is adapted for a setting in Shanghai. Young wife Meilin mistakenly believes her husband is having an affair with a social butterfly and decides to leave for a suitor. Her reputation, about to be ruined because of a misplaced fan, is saved by the social butterfly who turns out to be …Unlike typical Chinese scripts on parental love, the understated familial love in the original play is aligned with Li's preference for the undramatic. Motherly love is portrayed indirectly while emotions run strong yet subdued in the film. Poking fun at social culture of the times, this is Li's earliest extant feature film in a modern setting and a showcase of his modernistic and crisp directorial approach.

Young sprinter Lin Ying enrolls in a sports college in Shanghai. As she becomes a sports celebrity, she starts to mangle with the upper class and has gradually forgotten the true essence of sports.

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Blood on Wolf Mountain tells the story of a village that is beset by a pack of wolves. Made just prior to the commencement of full-scale war with the Japanese, the film itself is often considered an allegory of conflict between China and Japan.

Six young men from the city take jobs building roads for the Chinese Army

The daily life of ordinary people of Shanghai apartment building: an unemployed person who tries not to lose face by concealing the loss of his job, a singer without an audience, a driver, a teacher, but also the owner of the building and his prodigal son.

A Chinese couple in the 1930s struggle to survive. Things get complicated for them when he enlists to fight the war against Japan.

A young woman finds employment in a department store, only to attract the unwanted advances of the manager and his son.

This movie is based on the famous Chinese folklore that is more than one and a half millennium old. The same folklore was what the Disney animation Mulan is based on, and similarly, it was what many Chinese movies/operas/plays based on.

After a thousand years, the Taoist master Huang Hua Guan and his disciples regained human forms, as did the seven spider spirits, who vowed to abandon evil. To warn others, the Taoist priests told this story: Fifteen hundred years later, student Xiao Liu mistakenly entered a women’s bathroom and saw Wenxia bathing, leading to his public humiliation. When his sister Liu Cui reported it, Wenxia framed her, prompting Liu Cui to swear revenge. Wenxia, who had many boyfriends, stirred rivalry between Lu Xing and Chunfeng. During a trip, Wenxia and Chunfeng were attacked by someone bribed by Liu Cui, and both were injured. Daxiong saved Wenxia but had bad intentions, leading to a fight in which Lu Xing, Chunfeng, and Daxiong died, and Wenxia was trapped. Liu Cui was arrested for murder. Hearing this story, Wukong appeared, scaring the demons into releasing the Tang Monk.

A businessman moves his family from the city to the countryside to open a school.

To please his dying father, Hong Yu, a college student, is forced to abandon his girlfriend, Little Hong, and marry his cousin, with disastrous results.

The New Year's Gift is the story of some lucky money gifted to a girl. It then leaves her and passes from hand to hand.

The story of a poor silk farming family in Zhejiang and their hardships.

Three stories about art stages. "Film City", "Drama Group" and "Dance Class".

Four students in Shanghai have recently finished university. All are unemployed. Xu contemplates suicide but his friend Zhao talks him out of it. Zhao lives in a shabby room with just a flimsy wall of planks separating him from the room behind. Miss Yang, in town to take a factory job, moves in behind. Her nails into the wall knock Zhao's photos down. The unseen neighbours start playing tit for tat... Zhao gets a job as proofreader at a newspaper. He sees that pretty girl on the tram to work every day. He doesn't know her, but it's Miss Yang... Zhao is assigned to cover labour conditions for the paper. He is sent to a factory, the one where Miss Yang works...

The young poet Xin Baihe flees Shanghai with his friend, Liang. Liang soon joins the resistance against the Japanese invaders, but Xin chooses to pursue a relationship with a glamorous and westernized widow in Qingdao. After hearing that Liang has been killed, Xin has a change of heart and rushes to join the war effort.

In this Chinese version of "The Phantom of the Opera," the mysterious Song Danping terrorizes the newly rebuilt opera house and its young star.

A young prostitute, who is trying to give her infant son a good start in life, must contend with a coercive pimp and the prejudices of others.

A novelist uses all his money to buy gifts for the woman he loves who in turn is also seeing a business man, using him for expensive presents. As a consequence the writer is unable to pay the rent, whilst the womans family goes hungry as her fathers business suffers. A joyful comedy that expresses the dangers of consumerism for the careless spender.

The first Chinese sound film. It tells the story of Hong Pion (Red Peony), a singer-songwriter who, after her marriage to the depraved Faxiang Chen, not only tormented and suffered, but also endured the decline of her artistic career.

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No overview available

Sister Ye lives in a rural village, where everyone makes traditional toys. When Sister Ye's husband dies of an unknown illness, and while Ye is attending to him, her son is kidnapped and sold to a wealthy lady in the city of Shanghai. Shortly after, the village is destroyed during an attack between rival warlords, forcing the villagers move to the city, where they continue to make toys. Ten years pass, and Ye's daughter Zhu'er has become a toy designer. While helping the Nationalist army at the rear, Zhu'er is killed in an attack by the Japanese. On New Year's Eve, Sister Ye is dressed in rags, sitting on the curb, selling toys. A young boy buys toys from her, and it is none other than her son, whom she does not recognize.

Overnight, the sexy Wei Ming will become a successful novelist. But, desperate to get the money that she needs to cure her little daughter (and harassed by a rich, unscrupulous rake), she will end up eventually engage in luxury prostitution.

In old Shanghai, two sisters, a prostitute and a singer, try to escape from the local scoundrels with the help of a trumpet player and a newspaper seller.

Part two of A comedy film set on Shanghai film studio. The background events frequently involve the shooting of other films being made at Mingxing Film Company at the time. This includes a sequence of the 17th episode of the silent wuxia film series Burning of the Red Lotus Temple, which is the only known footage from this historic series to exist.

Probably the most sheerly entertaining of all the films made in 1930s Shanghai by 'underground' leftists, this riff on The Prisoner of Zenda is funny and engaging from first to last. The irresistible Yuan Muzhi (director of Street Angel the following year) plays both Li Tao, a revolutionary on the run, and Liu Yuanjie, an American-Chinese teacher visiting China with his fiancée. Liu is mistaken for Li and thrown into jail; Li teams up with the fiancée (Chen Bo'er, Yuan's real life wife) to get him out of prison and into the spirit of revolution. Ying Yunwei (who started out playing female roles in Chinese opera) uses chiaroscuro lighting, highly mobile camerawork and zippy pacing to give it maximum impact, but it's Yuan who really keeps you watching.

The film tells the tragic story of two recent college graduates, Tao Jianping ("Tao" is a homophone for peach), and Li Lilian ("Li" is a homophone for plum). Married, the two hope to change society for the better, but are continuously challenged by the corruption and injustice of Chinese society.

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Twin girls separated at birth are reunited when the one raised in poverty becomes a servant in the household of her sister, now the pampered wife of a warlord general.

The story is about a fisherman's family living near to Shanghai. In the beginning, twin babies are born, a boy and a girl. Their growing-up is briefly sketched, and their friendship with "young master", a boy from rich family about their age.

Set during the Orphan Island period of Shanghai, the film follows a group of revolutionary patriots-cum-assassins who finally earn the support of the suffering public. ‘We’re all Chinese,’ so they repeatedly chant.

Historical film based on the life of Wu Zetian, the only female emperor in Chinese history

This is a silent film from China made in 1931. It is about two leads in a film, Yan (Raymond King) and Ying (Violet Wong). They meet after hearing Ying sing while another movie is being shot. You, of course, don't get to hear the song, but it catches people's attention. Once they meet and work together, they fall in love. Is it forever?

A wild country girl moves to Shanghai with her painter boyfriend and experiences exploitation and poverty.

800 Chinese soldiers guard the important warehouse district against the invading Japanese Army. Re-imagination of a famous (bordering on legendary) episode from the battle of Shanghai: 800 soldiers of the 88th regiment against what feels like the whole of Japan’s Imperial Army - think Thermopylae, Chinese version. A splendid, visually amazing gem which, in its own way, is also a last stand: of silent cinema, Shanghai style. (iffr)

The film tells the story of Yang Naifan (Ruan Lingyu) who runs from her arranged marriage to be with her true love, Li Zuyi (Jin Yan). The film details the poverty she must endure for breaking with tradition.