1950s Japanese Movies

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.

Four people recount different versions of the story of a man's murder and the rape of his wife.

Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

During an assignment, foreign correspondent Steve Martin spends a layover in Tokyo and is caught amid the rampage of an unstoppable prehistoric monster the Japanese call 'Godzilla'. The only hope for both Japan and the world lies on a secret weapon, which may prove more destructive than the monster itself.

In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.

Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.

After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labour chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts and moves with his newlywed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.

Kaji, sent to the Japanese army labeled Red, witnesses cruelties in the army and revolts against the abusive treatment against a fellow recruit. He also sees his friend Shinjô defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.

In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

Two boys beg their parents for a television set, nagging them until all patience is lost. The parents order the boys to be quiet and the boys do exactly that--refusing to utter a word. The boys' silence ultimately puts the whole neighborhood into turmoil.

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

When the wife of a 17th-century Kyoto scrollmaker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves truly falling for one another.

As a young boy, Xu-Xian is forced to free his pet, a small snake. Unbeknownst to him, the snake is actually a young snake goddess named Bai-Niang and she is in love with him. Many years later, when they are both adults, the princess is magically transformed into a human and sets out to find her love. But the local wizard believes her to be a vampire, and banishes Xu-Xian from the village in order to save him. Xu-Xian's pet pandas Panda and Mimi set out to save him and bring him, in the process becoming leaders of an animal gang.

From 1928 to 1946, the lives of 12 young people and their school teacher in a poor Japanese village are profoundly affected by historical events and personal circumstances.

Ten years into a marriage, the wife is disappointed by the husband's lack of financial success, meaning she has to work and can't treat herself and the husband finds the wife slovenly and mean-spirited: she neither cooks not cleans particularly well and is generally disagreeable. In turn, he alternately ignores her and treats her as a servant. Neither is particularly happy, not helped by their unsatisfactory lodgers. The husband is easily seduced by an ex-colleague, a widow with a small child who needs some security, and considers leaving his wife.

Two sisters learn about the existence of their long-lost biological mother, but the younger is unable to accept the fact that she was abandoned as a child.

Based on the Seichō Matsumoto's story The Woman Who Took the Local Paper.

A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.

The arranged marriage between a capricious woman from Tokyo high society and a quiet rustic man is tested by a marital crisis.

In Burma during the closing days of WWII, a Japanese soldier separated from his unit disguises himself as a Buddhist monk to escape imprisonment as a POW.

A prehistoric monster called Gigantis emerges alongside another creature named Angurus.

A gentle, war-shattered ex-soldier, Kinji Kameda, arrives in wintry Hokkaidō and is pulled into a volatile tangle of love and pity between the disgraced Taeko Nasu, the proud Ayako, and his possessive friend Akama. Kameda’s saintly compassion exposes everyone’s wounds, steering the quartet toward jealousy, violence, and inexorable tragedy. Adapted from Dostoevsky’s novel.

In Japan, scientifically advanced invaders from the war-destroyed planet Mysteroid cause an entire village to vanish, then send a giant robot out to storm the city by night, after which they request a small patch of land on Earth and the right to marry earthling women, claiming to be pacifists. Mankind must decide whether to capitulate or to resist.

A theater troupe master's visit with his old flame unintentionally sets off a chain of unexpected events with devastating consequences.

In 8th-century China, the Emperor grieves the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their court influence. General An Lushan finds a distant relative working in their kitchen, whom they groom to present to the Emperor. The Emperor falls in love and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets.

An aging foundry patriarch, gripped by terror of nuclear annihilation, tries to uproot his family to Brazil. When they petition to have him declared incompetent, a family-court counselor witnesses his obsession slide into ruin—and asks whether ignoring the atomic threat is any saner.

Mining engineer Shigeru investigates the disappearance and death of his fellow coworkers when prehistoric nymphs are discovered emerging from the mines. After an attack on the local village, Shigeru heads deeper into the mines only to make a more horrifying discovery in the form a prehistoric flying creature. Soon a second monster appears as the two converge in Fukuoka.

After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers.

During the Edo Period, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

An American scientist tells two colleagues about the finding of an abominable snowman living in the Japanese alps, where it is worshipped by a remote tribe as a god, and how it was discovered by modern man after it raided a skiers shelter following an avalanche, killing all inside. This is an adaptation of the Japanese film "Jūjin Yuki Otoko" (1955) with added American-made footage, narration, and music.

Wataru's outwardly liberal views on marriage are severely tested when his daughter declares her love for a coworker and is adamant to live her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

Obscure French version of the original Godzilla. The film combines elements of the original Toho version and the American King of the Monsters! in a unique assemblage exclusive to the Francophone market. Released by Les Films du Verseau.

In post-WWII Osaka, a middle-aged woman is forced to examine her dreary life and marriage when her husband's young and flirtatious cousin arrives for a brief stay to escape an arranged marriage.

In 1965, the space station JSS-3 is destroyed by a fleet of UFOs, which then begin a global siege on Earth, using rays to manipulate gravity and control the minds of men. In response, a global council meeting is held to determine the source of the attacks and prepare a rocket ship armada for a counter-attack, a true battle in outer space. . . The film is a sequel of sorts to Toho's THE MYSTERIANS in the reprise of the Etsuko Shiraishi character of that film as its heroine. It was edited to 74 minutes for its American release.

The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.

Two brothers compete for the amorous favors of a young woman during a seaside summer of gambling, boating, and drinking.