2010s Brazilian Movies

Lucas is a young man who lives with his religious aunt Lourdes in a quiet country town. He helps his aunt by holding religious meetings with the ladies of the area, in the living room, playing biblical songs on the keyboard. This quiet life will end as soon as the charitable aunt communicates the arrival of another nephew, Mario, just out of jail. The clash of reality between the cousins ends up causing unusual situations, and an unexpected attraction among the boys.

Three times a memory.

She has everything her heart desires. She's popular, loves shopping, comes from a loving family. She plays volleyball and afterwards has a smoke with girlfriends. Sports club, barbecue, hairdresser: her life is perfect. There’s only one thing that makes her stand out: she is a cow.

Visiting day. Lindalva prepares food to take it to her son who is in jail. Metruti, Lindalva's son, shaves and wears the best clothes to welcome his mother. Today is a very special day and he really needs to make a phone call. His mother is taking a risk, she's willing to smuggle a cell phone for him into the penitentiary.

In a middle-class neighbourhood in a city in the countryside of Brazil, the real estate speculation is a menace to the affective memory of a group of friends. Their answer to this imminent transformation is to fuck in the construction sites. And what about love? Is love just a construction?

The film gets into the underworld of crimes involving homophobia, soccer organized fans, and gangs in Sao Paulo city. It shows the team’s work routine of DECRADI, the only unit specialized in this field, as they search for people who have made hate speech into cruel murders.

Antonio runs away from home and tries to spend the night at his ex-girlfriend's apartment. There he finds a brazilian girl, an unexpected guest. Johnny is struggling to stage his first theater play in Lisbon. His friendship with the young light technician will make him face his real problems. Débora is passing by, finally returning home. When she goes to the theater, she falls asleep, and is awaken by the protagonist. Three dimensions of the same story.

In a distant mansion lives a religious and apparently incomplete family: a mother and her two daughters. Until the day which a new disturbing member comes to put things in their place.

One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him. He immediately fled, without looking back. From that moment on, his life changed, as if that night had never ended. One evening, around an improvised fire near a factory, he decides to confide his journey to a stranger. Rafael’s intimate account meets the collective testimony of an entire nation oppressed by poverty, police repression and institutional corruption.

In a dystopian future, Joana tries to take care of her son, who contracted MYNOSY, the Mysterious Noise Syndrome.

A homeless man struggles to get by in the utopian city of Brasília.

Paula, Beatriz, Giu and Fernando live in one of the poorest favelas of São Paulo. A world of marginalization and despair, in which they struggle for their rights as transgenders, but also for survival: according to the statistics from the Transgender Europe NGO, Brazil is the nation with the highest number of murders of transgender people each year. The choice to experience your body in complete freedom is a revolutionary concept and highly risky in this context. It is an affirmation of one's being. it is no coincidence that one of them, who has begun the transition phase writes in his diary: "Each hormone pill is a declaration of ownership of my body. After each pill, I feel much better in my own skin". This movie shows their daily life, their struggles and protests in a world where ignorance becomes oppression and hate: in a word transphobia.

In a devastated post-apocalyptic world where the rules of reality are transformed by magic and madness, a vengeful police officer searches for a possessed serial killer in a battle of the not-so-good versus absolute evil.

“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.

In Fortaleza, Brazil, loving, drinking and singing. The return home, braving stray dogs. And taking photos, up to the moment the plastic camera bought in 2013 gives up the ghost.

An albino boy named Sanã lives on the island of Lençóis, an untouched paradise in northeastern Maranhão state. Surrounded by dunes, he is mimicked in a very white landscape, under a scalding sun from which he cannot escape. In this microcosm ruled by wind and the tides, Sanã builds his own private world.

Among the many victims of the military dictatorship that raged in Brazil from 1964 to 1985, a small group of guerilla fighters – Chael, Roberto, Reinaldo and Dora – got arrested, tortured, some of them killed or forced into exile. Before and after their arrest, during their torture sessions, the police photographed them. Together with the official reports, these photos are the material Anita Leandro worked on from the inside to bring these four people’s fate out of oblivion.

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The directors take five old VHS tapes documenting the Ãwas customs back to the tribe.

Diogo (17) has a little quirk: he likes to call his mother's female therapy patients and masturbate while listening to them on the phone. One of these patients is Angela (43), a woman who was just left by her husband When Diogo calls Angela, she thinks it's her husband calling. She starts having a relationship with the silence on the other end of the line. But when she finds out it's Diogo, she's disgusted. She's furious. But, most of all, she's attracted to this person who showed so much interest in her. The only person who called her every day. Diogo helps Angela see that she can have a new beginning and she shows him his way to independence. But they have to face a number of obstacles: There's the age difference, Diogo's mother, and, especially, his own path to adulthood.

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The dry quarry and a forest that still beats. A very sick father reviews the daughter. Resentments are brought to the table. The memory of the dead awakened by blood, objects, shadows and dreams affects Clarisse at this scenario of beauty and agony. Husband and business are expecting she in the city for a cathartic outcome.

Three brothers are successful at school with their grandmother's boxes, family heirlooms that transport people to the universe of circle songs. However, to the children's disappointment, their father is unable to join in the fun. Meanwhile, the object catches the attention of a pressured greedy.

Her building is in danger of collapse. She must move out.

Ivan is a young Brazilian delinquent going through a probationary programme. An electronic shackle controls his location, but not his thoughts. Documentary about a man on home prison.

Amaryllis, an alien, came to our planet to prevent the Earth's destruction, as happens with her own planet, and to take revenge to the Greys, the race whom destroyed her kind.

Inspired by the masterpiece of concrete music "Symphony for one man" Pierre Henry (1950), the film tells the story of a common man leaving the interior of Brazil to try life in São Paulo. The city, in its perpetual process of construction and deconstruction view from the microcosm of a construction site, its workers and a profusion of machines in full swing. The metaphysical revolt of this character is the revolt against his condition and against everything that humiliates him.

Camila is a Portuguese therapist who works at Rio de Janeiro State University, where she attends Glória, the university's elevator operator. Throughout the sessions, Camila faces a very violent reality, since Glória was raped by her own father as a child and her brother Jonas is a dangerous bandit that is in prison. Increasingly frightened by the reports she hears, she feels threatened at the same time that Glória sees her as essential in her life.

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When he was a child, Vitor was the poster boy for a toothpaste brand. Now adult, he's about to meet a girl he hasn't seen in a long time, when he was still a boy, young and famous.

Vou Rifar Meu Coração is a documentary about the performers and the followers of Brazilian romantic music – also known as brega (kitsch), often called "cheesy" by critics and the wealthy elite. Frequently associated with bad taste and poor quality, the style is admired by the lower working class, or unemployed population, originally from rural origins, banished to the cities in search of work and a better life. Using the music as a catalyst, this documentary shows the sentiments, love, suffering and sexuality of the fans and their idols, creating a scenario that reveals their practices and desires.

In the ending of 19th century Brazil was boiling. The end of slavery, the arrival of immigrants and urbanization moved the country. In this scenario, football comes from England with the young Charles Miller and undergoes a revolution with the magical feet of Arthur Friedenreich.

Mario Kubo is a quiet man. For many, he seems lost. Disconnected from the world around him, he is not doing well. On the days where we follow his life, he seems to undergo a fundamental transformation. Mario receives a letter from Japan with undecipherable content, since he doesn’t speak Japanese. Alone, he begins a journey after something that he is not quite sure what it is.

On a same night, five people from a small country town have the same nightmare. Upon the arrival of a pilgrim, the village is taken off its mediocre routine and the characters are thrown on the vortex of an uncommon situation. Each one’s truth will come to light, releasing them of the wicked hypocrisies, fears and diseases, compelling them to take control of their fate and rewrite their life.

Blurring borders between documentary and fiction, this film portrays a few moments from the lives of three people from Belo Horizonte: a transsexual prostitute and academic, a Hare Krishna soccer fan and a would-be writer.

Dona Amélia is an Angolan refugee from the war who started her life anew in Olinda, in the Northeast of Brazil. From her photograph mural, her Brazilian daughter goes in search of her roots, divided between the family memories and the manifestations of African origin that she encounters along the way.

A man from the countryside lives only with his three daughters. Away from everything and everyone, they face the drama and despair of their own lives.

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Without committing any crime, an important criminal judge finds himself a prisoner in his own office. Due to his risky work, he is receiving critical death threats. In order to protect himself, he will need to live under tight security, spending his days locked and away from his family and friends.