Spanish Music Movies

Camelamos naquerar (We Want to Speak) is an adaptation of the theatre play of the same name which was born out of a collaboration between Romani poet and university professor José Heredia Maya and Romani flamenco dancer and choreographer Mario Maya; the latter also performs in the piece, along with other artists. The title in Caló, the language used by Gitanos, translates as ‘we want to speak’, a revolutionary message that illustrates the efforts to reclaim a place in Spanish history for the Roma people and denounce the institutional injustice suffered by the community. It takes as its starting point the Pragmatic decrees signed by the Catholic Monarchs at the end of the fifteenth century, which heralded the long persecution of the Roma people, and continues right up to the twentieth-century Francoist laws.

Handicapped songwriter falls for bad girl. Again.

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Two years after the tragic sinking of a fishing boat that shook a small seaside town, members of the rondalla, a traditional Galician music band, decide to get back together in the endeavour to recover their enthusiasm and leave the grieving behind.

Madrid, 80 A couple, Juanjo and Rachel, threatening their relationship when Juanjo falls in love with another girl, Marta.

Filmed like a documentary, "Sevillanas" consists of eleven short performances by Spain's most famous flamenco dancers, singers and guitarists. Saura, well-known for his flamenco films ("Blood Wedding," "Carmen"), here provides an in-depth look at the Sevillanas form of flamenco and its dancers.

A widower turned Catholic priest can't overcome his memories of his deceased wife Gloria Mairena, who seems to have found a duplicate in looks and voice in the couple's daughter.

Manolo is a famous singer who has a brief affair with Diana, a beautiful hitchhiker. Diana becomes pregnant and gives birth to a child, Lito, the Manolo ignores their existence. Seven years later, Diana wants her son Manolo meet and therefore decided to look for him. However, when he is suffering a great disappointment because Manolo does not remember her. One person who remembers the father Manolo, who follows that Lito is his grandson and both plan unite Manolo and Diana.

Over a hundred members of the chorus girls and dance groups from the Spanish "Sección Femenina" embark to America to show the richness of their national folklore. The girls have left parked their daily tasks to enjoy this great adventure aboard "Mount Albertia". During the trip, the relationship between the girls and the crew is very lively and in all scenarios where they perform, success always accompanies them.

Wolfgang, a 10-year-old boy with an IQ of 152, is forced to live with his father, Carles, whom he has never seen, after the sudden death of his mother. He has one obsession, to run away to Paris to study at the Grimald Academy and become the best pianist in the world. But what Wolfgang doesn’t know is that the biggest challenge is right in front of him and that is to get along with his father.

Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey - in the tradition of the Latin ballad, the bolero - brings heartache and torment.

This biopic tells how the pop-rock group Hombres G was formed amidst rivalries, pranks and love affairs, with the musicians themselves as the protagonists.

Rafael is an aspiring bullfighter who seems more interested in the world of song. However, his father, Mr. Manuel, a good man although somewhat stubborn, will do everything possible to dress himself up. This will lead to a confrontation between father and son.

Joselito is the son of Colonel José de Alvear, Earl of Almond. When his heroic father dies in the colonies, the victim of a cholera epidemic, the child is held by her guardian and executor, his uncle Martin, who wants to take his fortune.

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Documentary about the marginal neighborhood 'Las tres mil viviendas', in Seville.

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

Two jobless Forty-somethings: Maca and Rena are in serious need of a financial stroke of luck. When they spot an ad for a TV contest looking for the next Pop Idol, they decide to turn themselves into the MANAGERS of two young hopefuls: Pipo and David. While launching their careers with performances in bars, bingo clubs and other such dives they encounter Rota, a shady old singer who arranges for them to tour the Costa del Sol. Thus begins a frenetic road movie where dreams of success turn into a nightmare inhabited by strange creatures: Tom Jones clones, porn stars, enlightened arabs, psychopathic marines, kitch TV presenters, corrupt politicians and even extra-terrestrials.

Two singers with bad luck succeed in a music festival in Jujuy.

Violeta, an Andalusian gypsy, foretells a lady she will become empress. The lady is Eugenia de Montijo, and when she marries emperor Luis Napoleón of France she takes the young girl with her. The empress'cousin readily makes her his focus of attention, then she discovers a criminal attempt against the empress.

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Manolo is the trusted servant of a famous tenor, Riccardi, an international opera singer. Although his life is overshadowed by the fame of his master, one day his luck changes. In a short time, two unusual events occur: he falls in love and an eccentric inventor offers him the deal of a lifetime...

Discover the roots of reggaeton supergroup Wisin and Yandel in this compelling tale of two men with a musical dream. Featuring a soundtrack that includes some of their best hits such as "Dembow", "Pégate", and "Esta Noche Hay Pelea", this presentation will help fans old and new understand the passion that has brought this duo from obscurity to the heights of fame.

An old man named Geppetto creates a wooden puppet named Pinocchio who comes to life.

A trip through the diversity of black and native Peruvian music. Character-driven film, one where the characters are integral to the nation itself. This movie delves into music and musicians, yet it's not strictly a musical; rather, it's a tapestry of seemingly disparate personal narratives woven together in a country also striving to define itself and sketch its identity

They still carry his house keys with them, Joaquin Sabina's old friends. It does not matter that the Madrid-based singer, who is adored throughout the Spanish-speaking community, changed the locks to his house years ago. After the brain haemorrhage that hit him in 2001, Sabina suddenly could not bear the dozens of friends anymore that invaded his house. This was a raw deal for them, as the interviews reveal that director Ramón Gieling had with them. As in Gieling's previous documentaries, he created a cinematographic form for the interviews, which he consistently applies. Friends and former lovers are introduced in a minutely reconstructed copy of the living room they were expelled from. In the real living room, they used to lead a loose life without thinking about the health risks.

A woman feels abandoned by her husband and children.

A look at the history and traditions of flamenco music and dance.

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The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

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Filigrana is in the prime of his career. His dressing room is full of flowers and always the same fan: William Harrison who asks her to marry him. Watermark says he heard those same words in the mouth of another man, the Earl of Montepalma, player and womanizer who loved and yet humiliated by a gypsy.

A musical tour through the work of Aníbal "Pichuco" Troilo, one of the defining figures of tango and Argentinian music.

Granada, Spain, 1922. The composer Manuel de Falla, who dreams every night of the ancestral songs sung to him by his nanny, fears that flamenco art will disappear, so with the help of his friend Miguel Cerón Rubio and the poet Federico García Lorca, he organizes a contest to revitalize and promote it.

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A contemporary love story about Peter, a Freudian psychiatrist married to the Finnish Mika, David, a young British gay who lives in Banyoles, addicted to the Grinder, and Coco Lamour, a French actress from Paris.

Obsessed by a Mexican singer, an Argentine doctor arrives in Paris; Far from his land he begins to find his true identity transforming into a singer of tangos.

Martín is a young Argentinean piano virtuoso and composer. For four years, he has been a patient of El Borda psychiatric hospital. Music filled up his life. Now he is trying to return to life outside the asylum walls, while working on his new opus, "Enfermaria".

Joselito is a naughty boy that sings like the nightingales. He lives in a little town near Sevilla. He has a great success due to his magnificent voice and then he can practice charity with a girl from his town.