1990s Spanish Movies

While working on a thesis about audiovisual violence, film student Ángela finds a snuff video where a girl is tortured until death. Soon she discovers that she was a former student in her university, and that the authors of the video are not very far either.

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Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.

Madrid, 1962. More than twenty years after the civil war has finished, a communist comes back to Spain to kill a traitor.

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Based on a work of Josep Maria Benet i Jornet entitled "Testament", the film tells the story of an aging professor of medieval literature with the dilemma of deciding who will inherit his essay on "The Book of friend and loved" by Ramon Llull. Feeling near death as a result of illness, he discovers that the ideal person is a young and intelligent student he is in love with and who is dedicated to male prostitution.

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In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.

Fifteen-year-old Lulu has never known any affection from her family. But when she goes to a rock concert with Pablo, a friend of the family, he introduces Lulu to her first sexual experience. Years later, Pablo and Lulu have married; Pablo has created a sheltered, private world for Lulu, into which nothing intrudes. However, Lulu tires of her cloistered existence, and begins hanging out in shady bars, looking for vicarious thrills and danger.

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Through dramatization and interviews with her colleagues, this film captures the life and work of famed Puerto Rican poet Mercedes Negrón Muñoz (also known as Clara Lair).

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In order to prepare for her role as a certain well-known actress, a young woman has lengthy conversations with three different actresses who were good friends with the famous star. Emerging from these conversations are three equally different versions of the past and the events that shaped their lives and careers. This cinematic adaptation of a theatrical work is true to the original, but does not stray far from a theatrical rendering of the story.

Martín (Zoe Berriatúa) is a teenager living in the San Blas district of Madrid. He is upset with his father Arturo (Imanol Arias) because he blames him for his mother's death. With the help of his girlfriend África (Elena Anaya), who will become his stepsister, he tries to get revenge on him.

A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.

José Luis has a cushy corporate job at the lingerie factory his mom owns. After he falls in love and proposes to Silvia, a beautiful laborer on the underwear assembly line, his mom enlists Raul, a potential underwear model and would-be bullfighter, to seduce Silvia.

Handsome 25-year-old Cesar had it all -- a successful career, expensive cars, a swank bachelor's pad, and an endless string of beautiful and willing women -- until he is thrown into a strange psychological mystery after a car accident scars his face and lands him in prison.

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For this documentary, the renowned Spanish filmmaker Carlos Saura created a structure as unconventional as the Gaudí buildings that adorn the host city of Barcelona. Coverage of the men's marathon appears at intervals throughout the narrative, highlighting the Games' most iconic event. While charismatic winners—from 400m champion Michael Johnson to weightlifter Ivan Ivanov—take center stage, Saura observes rigorous training sessions with as much passion as the finals themselves. Composers such as Ryuichi Sakamoto, Mikis Theodorakis, and Angelo Badalamenti contribute to the shifting atmosphere of this excellent film.

Faced with his imminent death from AIDS, Colombian artist Lorenzo Jaramillo looks back on his life and work through the five senses.

A girl, whose father is incarcerated as a political prisoner, is not allowed to draw pictures of birds or anything related to freedom. She will find a way to deliver her message of hope to her father in a very unusual way. Based on a story by Eduardo Galeano.

Filmed like a documentary, "Sevillanas" consists of eleven short performances by Spain's most famous flamenco dancers, singers and guitarists. Saura, well-known for his flamenco films ("Blood Wedding," "Carmen"), here provides an in-depth look at the Sevillanas form of flamenco and its dancers.

Mister Joaquim Pelletier and his wife request the services of the private detective Pepe Carvalho to find the murderer of their only son, Mariano. As the investigations progress, Pepe finds out that Mariano was not such a model son as his father thought. He had a double life: a banker at daytime, a thug at night; he was cooperating with Jesús Arquimedes, the boss of the underworld, by doing illegal works for him. But Mariano had decided to betray Arquímedes, embezzling $500 000 of the money he was laundering in Bank Pelletier, to start a new life in the USA. Arquímedes puts pressure on Carvalho to find his money. Surprisingly enough for the detective, the guilty one is not Arquímedes, but the father of Mariano. Mister Jaoquim had a passionate relationship with his son since childhood, he wanted to mold his son as he had always dreamed, and never admitted that Mariano was someone different and a rebel who wanted to run away from Barcelona for ever.

The American musician Rickie falls in love with the prostitute Sara, who pretends to be a princess. As they escape together, Rickie gets into a dangerous adventure.

Passionate and tragic love story in between Alfredo and María, famous spanish singer from the fifties. Se is resurrected by Alfredo, cinema director, with Lupe, the young singer's daughter.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

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A Garifuna woman returns to Honduras to forget her past and rediscover herself.

Her name is Mina, but she is called Bambola (doll). Upon the death of her mother, she and her homosexual brother, Flavio, open a pizzeria. A man named Ugo loans Bambola the money, but is then killed in a fight with another one of her boyfriends, Settimio. While visiting Settimio in jail, she meets a sadistic man named Furio, and they begin a relationship.

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Eleven episodes portray different encounters in Barcelona during the course of a single night towards the end of the millennium.

Julia runs a trendy bar in Barcelona. She treats men with caution, believing one can love too much and invite pain. She's been dating Pablo, one of her waiters. After his grisly murder (his heart is cut out), she receives anonymous messages and video tapes from a man who says he is in love with her. Another murder follows, the police give her 24-hour protection, and Pablo's replacement at the bar, the virile Antonio, seems to be attracted to her. As Julia's stalker closes in, she's on the verge of a nervous breakdown, then becomes almost serene. Leading the investigation is a police comisario who's eyes are covered as he awaits the completion of treatment. Will we see the murderer?

When a rogue priest discovers the exact date the Antichrist will be born, he enlists a Death Metal record store clerk and a cheesy TV psychic for an urban spree of gore, sacrilege and twisted humor to prevent the Apocalypse.

A month before he's to marry Carmen, Antonio finds a photograph of a man with his arm on her shoulder. The photograph triggers jealousy: he questions Carmen, Carman's friend Cinta, and his friend Luis who introduced him to Carmen. Cinta tells Antonio the man's first name. Carmen tells him that the man meant nothing to her, and that the photograph was taken before she met Antonio. She loves Antonio and sets out to wipe the photograph from his mind through exuberant sex, but her ploy backfires and Antonio remains fixated. Slowly he finds out about the man, and about Carmen's past. Will jealousy consume this couple or can they find a way to kill the green-eyed monster?

She wanted to be rich, to have lovers, to go to Barcelona: but Montserrateta had to make do with living in a village in the Pyrenees, with her boyfriend, and milking cows on her parents' farm, until one day, she finds a lottery ticket.

A mysterious exterminator falls in love with two women who live in a distinctive wine-producing region in Spain.

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Criminal psychologist Dr. Verónica Arizméndi (Edith González) gets the opportunity of a lifetime: A chance to study "The Descuartizador" (Jorge Reynoso), a vicious serial murderer who has gained notoriety thanks to the press and his sadistic crimes.